{"id":46695,"date":"2024-08-27T07:13:03","date_gmt":"2024-08-27T07:13:03","guid":{"rendered":"https:\/\/www.rjmodels.com.hk\/?p=46695"},"modified":"2024-08-29T03:46:02","modified_gmt":"2024-08-29T03:46:02","slug":"epiteszeti-modellfotozas","status":"publish","type":"post","link":"https:\/\/www.rjmodels.com.hk\/hu\/epiteszeti-modellfotozas\/","title":{"rendered":"\u00c9p\u00edt\u00e9szeti makettfot\u00f3z\u00e1s \u2013 A r\u00e9szletes \u00fatmutat\u00f3"},"content":{"rendered":"

Az \u00e9p\u00edt\u00e9szeti makettfot\u00f3z\u00e1s bemutat\u00e1sa<\/strong><\/h1>\n

Az \u00e9p\u00edt\u00e9szeti modellfot\u00f3z\u00e1snak jelent\u0151s szerepe van.<\/p>\n

Mert egy j\u00f3 f\u00e9nyk\u00e9p seg\u00edti az el\u0151rehalad\u00e1st.<\/p>\n

A rosszul elk\u00e9sz\u00edtett fot\u00f3k pedig f\u00e9lrevezethetik a k\u00f6z\u00f6ns\u00e9get, \u00edgy nem l\u00e1ss\u00e1k a modell val\u00f3di min\u0151s\u00e9g\u00e9t.<\/p>\n

Ez a fejezet bemutatja az \u00e9p\u00edt\u00e9szeti makettfot\u00f3z\u00e1shoz sz\u00fcks\u00e9ges eszk\u00f6z\u00f6ket.<\/p>\n

Ez \u00e9rinti a vil\u00e1g\u00edt\u00e1st, a n\u00e9z\u0151pontokat \u00e9s a figyelmet ig\u00e9nyl\u0151 ter\u00fcleteket.<\/p>\n

Az al\u00e1bbiakban felsoroljuk az \u00e9p\u00edt\u00e9szeti modellfot\u00f3z\u00e1s sor\u00e1n gyakran haszn\u00e1lt berendez\u00e9seket.<\/p>\n

1.1 digit\u00e1lis t\u00fck\u00f6rreflexes f\u00e9nyk\u00e9pez\u0151g\u00e9p<\/strong><\/h1>\n

Ha \u00d6n kezd\u0151 a fot\u00f3z\u00e1sban, javasoljuk a teljesen automatiz\u00e1lt \u201eA\u201d m\u00f3d haszn\u00e1lat\u00e1t.<\/p>\n

Ez azt jelenti, hogy a f\u00e9nyk\u00e9pez\u0151g\u00e9p automatikusan be\u00e1ll\u00edtja a rekeszt, a z\u00e1rsebess\u00e9get \u00e9s az ISO \u00e9rt\u00e9ket.<\/p>\n

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\"el\u0151re<\/div>\n

Digit\u00e1lis SLR f\u00e9nyk\u00e9pez\u0151g\u00e9p<\/p>\n<\/div>\n<\/div>\n

Mert el\u0151fordulhat, hogy az automatikus \u00e9less\u00e9g\u00e1ll\u00edt\u00e1ssal be\u00e1ll\u00edtott f\u00f3kuszpont nem a v\u00e1rt f\u00f3kuszpont.<\/p>\n

Amikor f\u00e9nyk\u00e9pet k\u00e9sz\u00edt a m\u00e9retar\u00e1nyos modellr\u0151l, nyomja le f\u00e9lig az expon\u00e1l\u00f3 gombot.<\/p>\n

Ha hall egy s\u00edpol\u00f3 hangot, nyomja le teljesen az expon\u00e1l\u00f3 gombot a f\u00e9nyk\u00e9p elk\u00e9sz\u00edt\u00e9s\u00e9hez. Ez tiszta k\u00e9pet biztos\u00edt.<\/p>\n

Ezek ut\u00e1n, ha tov\u00e1bb szeretn\u00e9 fejleszteni f\u00e9nyk\u00e9pez\u00e9si technik\u00e1it, meg kell \u00e9rtenie a f\u00e9nyk\u00e9pez\u0151g\u00e9pet.<\/p>\n

P\u00e9ld\u00e1ul a rekesz\u00e9rt\u00e9k, a z\u00e1rsebess\u00e9g, az ISO \u00e9s az, hogy ezen elemek egyik\u00e9nek megv\u00e1ltoztat\u00e1sa hogyan teszi sz\u00fcks\u00e9gess\u00e9 a t\u00f6bbiek megv\u00e1ltoztat\u00e1s\u00e1t.<\/p>\n

Ezut\u00e1n gyakoroljon k\u00fcl\u00f6nb\u00f6z\u0151 sz\u00e1m\u00e9rt\u00e9kekkel, hogy el\u00e9rje a k\u00edv\u00e1nt vizu\u00e1lis effektusokat, amelyeket a f\u00e9nyk\u00e9pen kereszt\u00fcl szeretne kifejezni.<\/p>\n

1.2 Fixf\u00f3kuszos nagyl\u00e1t\u00f3sz\u00f6g\u0171 objekt\u00edv vagy 18-105 mm-es zoomobjekt\u00edv<\/strong><\/h1>\n

A digit\u00e1lis t\u00fck\u00f6rreflexes fot\u00f3z\u00e1s sor\u00e1n gyakran kell objekt\u00edvet cser\u00e9lni.<\/p>\n

Az \u00e9p\u00edt\u00e9szeti modellfot\u00f3z\u00e1sban pedig a leggyakrabban haszn\u00e1lt objekt\u00edv a sz\u00e9les l\u00e1t\u00f3sz\u00f6g\u0171 objekt\u00edv, ez\u00e9rt javasoljuk, hogy szereljen fel egyet.<\/p>\n

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\"el\u0151re<\/div>\n

Fixf\u00f3kuszos nagyl\u00e1t\u00f3sz\u00f6g\u0171 objekt\u00edv vagy 18-105 mm-es zoomobjekt\u00edv<\/p>\n<\/div>\n<\/div>\n

1.3 T\u00e1voli z\u00e1rkiold\u00f3<\/strong><\/h1>\n

A t\u00e1vkiold\u00f3 seg\u00edthet a f\u00e9nyk\u00e9pez\u0151g\u00e9p kiold\u00e1s\u00e1nak szab\u00e1lyoz\u00e1s\u00e1ban.<\/p>\n

\u00cdgy nem kell meg\u00e9rinteni a f\u00e9nyk\u00e9pez\u0151g\u00e9p kiold\u00f3gombj\u00e1t.<\/p>\n

Val\u00f3j\u00e1ban egy belt\u00e9ri fot\u00f3z\u00e1son a hosszabb expoz\u00edci\u00f3 nagyon hasznos.<\/p>\n

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\"el\u0151re<\/div>\n

T\u00e1voli z\u00e1rkiold\u00f3<\/p>\n<\/div>\n<\/div>\n

A t\u00e1vkiold\u00f3 meg\u00e1ll\u00edthatja a f\u00e9nyk\u00e9pez\u0151g\u00e9p remeg\u00e9s\u00e9t, amelyet a gomb hossz\u00fa expoz\u00edci\u00f3 alatti megnyom\u00e1sa okoz.<\/p>\n

\u00cdgy megel\u0151zheti az elmos\u00f3dott f\u00e9nyk\u00e9pet.<\/p>\n

Belt\u00e9ri f\u00e9nyk\u00e9pez\u00e9skor javasoljuk a t\u00e1vkiold\u00f3 haszn\u00e1lat\u00e1t.<\/p>\n

1.4 Mem\u00f3riak\u00e1rtya<\/strong><\/h1>\n

A mem\u00f3riak\u00e1rtya t\u00e1rolja a digit\u00e1lis SLR f\u00e9nyk\u00e9pez\u0151g\u00e9ppel k\u00e9sz\u00edtett digit\u00e1lis f\u00e9nyk\u00e9peket.<\/p>\n

A legelterjedtebb pedig az SD-k\u00e1rtya, a digit\u00e1lis f\u00e9nyk\u00e9pez\u0151g\u00e9pekben pedig a CF (Compact Flash).<\/p>\n

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\"el\u0151re<\/div>\n

Mem\u00f3riak\u00e1rtya<\/p>\n<\/div>\n<\/div>\n

A mem\u00f3riak\u00e1rty\u00e1k k\u00fcl\u00f6nf\u00e9le t\u00e1rol\u00e1si kapacit\u00e1ssal kaphat\u00f3k.<\/p>\n

A f\u00e9nyk\u00e9pez\u0151g\u00e9p f\u00e9nyk\u00e9pfelbont\u00e1s\u00e1nak n\u00f6veked\u00e9s\u00e9vel az adatok mennyis\u00e9ge is n\u0151.<\/p>\n

Mivel az \u00e1ra folyamatosan cs\u00f6kken, ez\u00e9rt azt javasoljuk, hogy legal\u00e1bb 4 GB t\u00e1rhellyel rendelkezzen.<\/p>\n

1.5 Mem\u00f3riak\u00e1rtya olvas\u00f3 g\u00e9p<\/strong><\/h1>\n

A laptopok gyakran be\u00e9p\u00edtett mem\u00f3riak\u00e1rtya-olvas\u00f3val (CF-k\u00e1rtya) rendelkeznek, m\u00edg az asztali sz\u00e1m\u00edt\u00f3g\u00e9pek nem.<\/p>\n

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\"el\u0151re<\/div>\n

Mem\u00f3riak\u00e1rtya olvas\u00f3 g\u00e9p<\/p>\n<\/div>\n<\/div>\n

Ilyen esetben v\u00e1s\u00e1rolhat egy k\u00e1rtyaolvas\u00f3t, amellyel csatlakozhat asztali sz\u00e1m\u00edt\u00f3g\u00e9p\u00e9hez.<\/p>\n

1.6 \u00c1llv\u00e1ny<\/strong><\/h1>\n

Belt\u00e9ri f\u00e9nyk\u00e9pez\u00e9skor a term\u00e9szetes f\u00e9ny hi\u00e1nya lassabb z\u00e1rid\u0151t eredm\u00e9nyez.<\/p>\n

Ha a f\u00e9nyk\u00e9pez\u0151g\u00e9pet k\u00e9zzel tartja, az a f\u00e9nyk\u00e9pez\u0151g\u00e9p remeg\u00e9s\u00e9t okozhatja.<\/p>\n

Mert nem val\u00f3sz\u00edn\u0171, hogy a kez\u00fcnk mozdulatlanul tud maradni \u00e9s \u00e9les k\u00e9pet ad r\u00f3lunk.<\/p>\n

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\"el\u0151re<\/div>\n

H\u00e1roml\u00e1b\u00fa<\/p>\n<\/div>\n<\/div>\n

Ez\u00e9rt az \u00e1llv\u00e1ny n\u00e9lk\u00fcl\u00f6zhetetlen eszk\u00f6z a f\u00e9nyk\u00e9pez\u0151g\u00e9p bemozdul\u00e1s\u00e1nak megel\u0151z\u00e9s\u00e9re hossz\u00fa expoz\u00edci\u00f3 eset\u00e9n, mivel mozdulatlanul tartja a f\u00e9nyk\u00e9pez\u0151g\u00e9pet.<\/p>\n

1.7 H\u00e1tt\u00e9r<\/strong><\/h1>\n

Ez az a k\u00e9perny\u0151, amelyet h\u00e1tt\u00e9rk\u00e9nt haszn\u00e1lnak a fot\u00f3z\u00e1s sor\u00e1n.<\/p>\n

Az \u00e9p\u00edt\u00e9szeti modellfot\u00f3z\u00e1sn\u00e1l \u00e1ltal\u00e1ban fekete, k\u00e9k vagy sz\u00fcrke h\u00e1tteret haszn\u00e1lunk.<\/p>\n

Ha megfelel\u0151 f\u00e9nyk\u00e9pez\u00e9si h\u00e1tt\u00e9rk\u00e9perny\u0151t vagy ruh\u00e1t haszn\u00e1l, a f\u00e9nyvisszaver\u0151d\u00e9s cs\u00f6kken.<\/p>\n

A pap\u00edrhoz k\u00e9pest, ahol a varratok megjelenhetnek, a k\u00e9perny\u0151 sz\u00e9lesebb, \u00edgy z\u00f6kken\u0151mentes h\u00e1tteret biztos\u00edt.<\/p>\n

1.8 Csend\u00e9let \u00e1llv\u00e1ny<\/strong><\/h1>\n

Csend\u00e9let \u00e1llv\u00e1ny egy emelv\u00e9ny, amelyre a f\u00e9nyk\u00e9pezend\u0151 t\u00e9ma elhelyezhet\u0151.<\/p>\n

1.9 Vil\u00e1g\u00edt\u00f3berendez\u00e9sek<\/strong><\/h1>\n

A belt\u00e9ri fot\u00f3z\u00e1sban elengedhetetlen kell\u00e9k, \u00e9s a vil\u00e1g\u00edt\u00f3berendez\u00e9sek sz\u00e9les v\u00e1laszt\u00e9ka el\u00e9rhet\u0151 a piacon.<\/p>\n

A puha doboz egy fekete k\u00fcls\u0151 kend\u0151b\u0151l \u00e1ll, amely megakad\u00e1lyozza, hogy a f\u00e9ny visszaver\u0151dj\u00f6n a helyis\u00e9gbe.<\/p>\n

\u00c1ttetsz\u0151 sz\u00f6vet a f\u00e9ny sz\u00f3r\u00e1s\u00e1ra, dr\u00f3tv\u00e1z \u00e9s f\u00e9nyforr\u00e1s.<\/p>\n

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\"el\u0151re<\/div>\n

A puha doboz f\u00e9nyt sz\u00f3rva l\u00e1gyabb f\u00e9nyt \u00e1ll\u00edt el\u0151.<\/p>\n<\/div>\n<\/div>\n

Sok m\u00e1s t\u00edpus\u00fa vil\u00e1g\u00edt\u00e1si berendez\u00e9s k\u00f6z\u00fcl v\u00e1laszthat.<\/p>\n

A haszn\u00e1land\u00f3 vil\u00e1g\u00edt\u00f3berendez\u00e9s t\u00edpusa pedig a k\u00e9sz\u00edteni k\u00edv\u00e1nt f\u00e9nyk\u00e9p t\u00edpus\u00e1t\u00f3l f\u00fcgg.<\/p>\n

1.10 F\u00e9nyvisszaver\u0151<\/strong><\/h1>\n

Amikor a f\u00e9ny el\u00e9ri a reflektort, az visszaver\u0151dik \u00e9s \u00e1tir\u00e1nyul a modellre, tov\u00e1bb l\u00e1gy\u00edtva a f\u00e9nyforr\u00e1st.<\/p>\n

A f\u00e9nyvisszaver\u0151t kicser\u00e9lheti polisztirolhab lapra vagy habpap\u00edrra.<\/p>\n

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\"el\u0151re<\/div>\n

F\u00e9nyvisszaver\u0151<\/p>\n<\/div>\n<\/div>\n

A praktikuss\u00e1g \u00e9s a haszn\u00e1lat k\u00e9nyelme \u00e9rdek\u00e9ben javasoljuk, hogy fektessenek be egy f\u00e9nyvisszaver\u0151 \u00e1llv\u00e1nyba.<\/p>\n

\u00cdgy nem korl\u00e1tozzuk a reflektor elhelyez\u00e9s\u00e9t.<\/p>\n

Ha van seg\u00edts\u00e9g a reflektor megtart\u00e1s\u00e1hoz, nincs sz\u00fcks\u00e9g reflektor\u00e1llv\u00e1nyra.<\/p>\n

Ha azonban egyed\u00fcl dolgozik, akkor elengedhetetlen a reflektor \u00e1llv\u00e1ny.<\/p>\n

2. Vil\u00e1g\u00edt\u00e1s<\/strong><\/h1>\n

A fot\u00f3z\u00e1ssal kapcsolatos vil\u00e1g\u00edt\u00e1si probl\u00e9ma legegyszer\u0171bb m\u00f3dja a szabadban t\u00f6rt\u00e9n\u0151 fot\u00f3z\u00e1s.<\/p>\n

Mert rengeteg term\u00e9szetes f\u00e9ny van.<\/p>\n

2.1 <\/strong>Id\u0151z\u00edt\u00e9s\u00a0<\/strong><\/h1>\n

Egy felh\u0151tlen, naps\u00fct\u00e9ses napon kora reggel vagy alkonyatkor a Nap alacsonyan \u00e1ll.<\/p>\n

\u00cdgy nagy kontraszt\u00fa megvil\u00e1g\u00edt\u00e1st \u00e9r el, t\u00f6k\u00e9letes \u00e1rny\u00e9khat\u00e1st k\u00f6lcs\u00f6n\u00f6zve az \u00e9p\u00edt\u00e9szeti modellnek.<\/p>\n

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Fot\u00f3k egy modellr\u0151l kora reggel<\/p>\n<\/div>\n<\/div>\n

Elforgathatja az \u00e9p\u00edt\u00e9szeti modell helyzet\u00e9t.<\/p>\n

Vagy a kamera lencs\u00e9j\u00e9n kereszt\u00fcl megfigyelheti \u00e9s k\u00eds\u00e9rletezheti a modell k\u00fcl\u00f6nb\u00f6z\u0151 \u00e1rny\u00e9khat\u00e1sait.<\/p>\n

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Fot\u00f3k egy modellr\u0151l naplemente alatt<\/p>\n<\/div>\n<\/div>\n

Gyakran fot\u00f3zzuk modell\u00fcnket a tet\u0151n \u00e9s egy adott poz\u00edci\u00f3ban.<\/p>\n

\u00c9s elt\u00e1vol\u00edtjuk a f\u00e9nyk\u00e9pr\u0151l az \u00f6sszes t\u00f6bbi nem kapcsol\u00f3d\u00f3 t\u00e1rgyat, \u00e9s az eget haszn\u00e1ljuk a fot\u00f3 h\u00e1tterek\u00e9nt.<\/p>\n

2.2 \u00d3vakodjon a magas h\u0151m\u00e9rs\u00e9klett\u0151l<\/strong><\/h1>\n

A magas h\u0151m\u00e9rs\u00e9klet k\u00e1ros\u00edthatja a modellt, ez\u00e9rt ne f\u00e9nyk\u00e9pezzen t\u0171z\u0151 napon vagy d\u00e9lben.<\/p>\n

2.3 \u00d3vakodjon az \u00e1rny\u00e9kokt\u00f3l<\/strong><\/h1>\n

Egy belt\u00e9ri fot\u00f3z\u00e1s sor\u00e1n ker\u00fclje, hogy a modell kett\u0151n\u00e9l t\u00f6bb \u00e1rny\u00e9kot vessen.<\/p>\n

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\"el\u0151re<\/div>\n

Ker\u00fclje el, hogy a modell kett\u0151n\u00e9l t\u00f6bb \u00e1rny\u00e9kot vessen<\/p>\n<\/div>\n<\/div>\n

A f\u00e9nyk\u00e9pen l\u00e9trehozott jelenet term\u00e9szetellenesnek t\u0171nik a k\u00f6z\u00f6ns\u00e9g sz\u00e1m\u00e1ra, ha egy \u00e9p\u00edt\u00e9szeti modell t\u00fal sok \u00e1rny\u00e9kot vet.<\/p>\n

3. N\u00e9z\u0151pontok<\/strong><\/h1>\n

Az \u00e9p\u00edt\u00e9szeti modellfot\u00f3z\u00e1s sor\u00e1n \u00e1ltal\u00e1ban n\u00e9h\u00e1ny fot\u00f3t k\u00e9sz\u00edt\u00fcnk a teljes modellr\u0151l, bele\u00e9rtve az el\u00f6ln\u00e9zetet \u00e9s a h\u00e1tuln\u00e9zetet, valamint nappali f\u00e9nyben vagy \u00e9jszakai jelenetk\u00e9nt.<\/p>\n

A t\u00f6bbi fot\u00f3 vagy a modell k\u00fcl\u00f6nb\u00f6z\u0151 r\u00e9szei, vagy n\u00e9h\u00e1ny apr\u00f3 r\u00e9szlet.<\/p>\n

Az \u00e9p\u00edt\u00e9szeti modellt k\u00fcl\u00f6nb\u00f6z\u0151 sz\u00f6gekb\u0151l fot\u00f3zhatjuk, att\u00f3l f\u00fcgg\u0151en, hogy milyen gondolatokat szeretn\u00e9nk kifejezni.<\/p>\n

3.1 <\/strong>F\u00e9nyk\u00e9pez\u00e9s magas n\u00e9z\u0151pontb\u00f3l:.<\/strong><\/h1>\n
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Lehet\u0151v\u00e9 teszi az \u00e9p\u00edt\u00e9szeti modell teljes \u00e1ttekint\u00e9s\u00e9t<\/p>\n<\/div>\n<\/div>\n

A teljes modell mad\u00e1rt\u00e1vlati k\u00e9pe lehet\u0151v\u00e9 teszi a n\u00e9z\u0151 sz\u00e1m\u00e1ra, hogy l\u00e1ssa \u00e9s \u00e9rezze az \u00e9p\u00edt\u00e9szeti modell teljes szerkezet\u00e9t.<\/p>\n

3.2 <\/strong>F\u00e9nyk\u00e9pez\u00e9s alacsony n\u00e9z\u0151pontb\u00f3l.<\/strong><\/h1>\n
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Az ember szemsz\u00f6g\u00e9b\u0151l<\/p>\n<\/div>\n<\/div>\n

Ha egy bels\u0151 modellt alacsony n\u00e9z\u0151pontb\u00f3l k\u00e9sz\u00edt, akkor a n\u00e9z\u0151nek olyan vizu\u00e1lis effektusokat ad, mintha a f\u00f6ld\u00f6n \u00e1llva n\u00e9zne fel egy \u00e9p\u00fcletre.<\/p>\n

3.3 <\/strong>F\u00e9nyk\u00e9pez\u00e9s szemmagass\u00e1g\u00fa n\u00e9z\u0151ponttal<\/strong><\/h1>\n
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<\/div>\n
\"\"<\/a><\/div>\n

A kamera poz\u00edci\u00f3ja a modellel azonos szinten van<\/p>\n<\/div>\n<\/div>\n

Szemmagass\u00e1g\u00fa n\u00e9z\u0151pont\u00fa fot\u00f3t k\u00e9sz\u00edthet egy szem\u00e9ly szemmagass\u00e1g\u00e1ban a magass\u00e1g\u00e1hoz k\u00e9pest.<\/p>\n

\u00cdgy szimul\u00e1lhatja valaki n\u00e9zet\u00e9nek vizu\u00e1lis hat\u00e1s\u00e1t abban a t\u00e9rben, amelyben \u00e9ppen \u00e1ll.<\/p>\n

3.4 <\/strong>Az \u00e9p\u00edt\u00e9szeti makett t\u00fck\u00f6rk\u00e9pe a v\u00edzen<\/strong><\/h1>\n

Ha egy modellnek v\u00edzfel\u00fclete van, a fot\u00f3s lefot\u00f3zhatja a modell t\u00fck\u00f6rk\u00e9p\u00e9t a v\u00edzen.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

A modell t\u00fck\u00f6rk\u00e9pe a v\u00edzen<\/p>\n<\/div>\n<\/div>\n

3.5 Mutassa meg a modell m\u00e9ret\u00e9t<\/strong><\/h1>\n

N\u00e9ha hagyhatjuk, hogy a k\u00f6z\u00f6ns\u00e9g \u00e9rezze a modell m\u00e9ret\u00e9t.<\/p>\n

Ehhez elhelyez\u00fcnk egy t\u00e1rgyat, p\u00e9ld\u00e1ul egy vonalz\u00f3t vagy egy helyi \u00e9rm\u00e9t a modell mell\u00e9.<\/p>\n

Meg tudja mutatni a fot\u00f3n a modell m\u00e9ret\u00e9t.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

Helyezzen egy t\u00e1rgyat a modellre, hogy megmutassa a modell m\u00e9ret\u00e9t a f\u00e9nyk\u00e9pen<\/p>\n<\/div>\n<\/div>\n

3.6 Egy szem\u00e9ly \u00e1ll az \u00e9p\u00edt\u00e9szeti modell mellett<\/strong><\/h1>\n

Ha a \u00e9p\u00edt\u00e9szeti l\u00e9pt\u00e9k\u0171 makett<\/a> m\u00e9retes t\u00e1rlat, az \u00e9p\u00edt\u00e9szeti makett mell\u00e9 felk\u00e9r\u00fcnk egy szem\u00e9lyt.<\/p>\n

Hogy a k\u00f6z\u00f6ns\u00e9g megismerhesse a modell t\u00e9nyleges m\u00e9ret\u00e9t a mellette l\u00e9v\u0151 szem\u00e9lyhez k\u00e9pest.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

Egy szem\u00e9ly \u00e1ll az \u00e9p\u00edt\u00e9szeti modell mellett<\/p>\n<\/div>\n<\/div>\n

4. \u00d6sszet\u00e9tel<\/strong><\/h1>\n

A k\u00e9p kompoz\u00edci\u00f3ja szint\u00e9n fontos szempont a f\u00e9nyk\u00e9pez\u00e9sben.<\/p>\n

\u00c9s sokf\u00e9le \u00f6sszet\u00e9teli szab\u00e1ly l\u00e9tezik. Az al\u00e1bbiakban ezek k\u00f6z\u00fcl n\u00e9h\u00e1nyat megvizsg\u00e1lunk.<\/p>\n

4.1 Harmadik szab\u00e1lyok<\/strong><\/h1>\n

F\u00e9nyk\u00e9pez\u00e9s k\u00f6zben a kamera keret\u00e9t v\u00edzszintesen \u00e9s f\u00fcgg\u0151legesen harmad\u00e1ra osztja.<\/p>\n

A metsz\u00e9spontokat \u00e9rdekes pontoknak nevezz\u00fck.<\/p>\n

Amikor egy f\u00e9nyk\u00e9pet n\u00e9z\u00fcnk, tudat alatt ezek a metsz\u00e9spontok vonzz\u00e1k a szem\u00fcnket.<\/p>\n

Ez\u00e9rt az alanyokat mindig ezekre a metsz\u00e9spontokra vagy azok k\u00f6zel\u00e9be helyezz\u00fck.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

Harmadik szab\u00e1lyok<\/p>\n<\/div>\n<\/div>\n

Mivel a kamera kerete egyenl\u0151en 9 r\u00e9szre oszlik, a harmadr\u00e9szes kompoz\u00edci\u00f3 szab\u00e1ly\u00e1t \u201etic tac toe kompoz\u00edci\u00f3nak\u201d is nevezik.<\/p>\n

4.2 \u00c1tl\u00f3s vonal haszn\u00e1lata kompoz\u00edci\u00f3s technikak\u00e9nt<\/strong><\/h1>\n

Az \u00f6tlet az, hogy a t\u00e9m\u00e1t a kamerakeret \u00e1tl\u00f3s vonala ment\u00e9n helyezz\u00fck el.<\/p>\n

\u00dagy, hogy \u00e1tl\u00f3san jelenjen meg a f\u00e9nyk\u00e9pen.<\/p>\n

Ez az \u00e1tl\u00f3s vonaltechnika m\u00e9lyebb\u00e9 teszi a f\u00e9nyk\u00e9pet, \u00e9s h\u00e1romdimenzi\u00f3s hat\u00e1st ad a k\u00e9pnek.<\/p>\n

Az \u00e1tl\u00f3s vonal a szem\u00e9ly l\u00e1t\u00f3vonal\u00e1t is az \u00e9rdekes ponthoz h\u00fazza.<\/p>\n

Dinamikusabb\u00e1 teheti a f\u00e9nyk\u00e9pet \u00e9s \u00e9letre keltheti, mik\u00f6zben a t\u00e9m\u00e1t jobban kiemeli.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

\u00c1tl\u00f3s vonal haszn\u00e1lata kompoz\u00edci\u00f3s technikak\u00e9nt<\/p>\n<\/div>\n<\/div>\n

4.3 Szimmetriai \u00f6sszet\u00e9tel<\/strong><\/h1>\n

A szimmetria szab\u00e1lya az, hogy a t\u00e1rgyat \u00e9s a k\u00f6rnyez\u0151 k\u00f6rnyezetet haszn\u00e1lva olyan k\u00e9pet k\u00e9sz\u00edt\u00fcnk, ahol a k\u00e9p egyik oldala megegyezik a m\u00e1sikkal.<\/p>\n

\u00c9s amikor a k\u00e9pet k\u00e9t r\u00e9szre osztj\u00e1k, v\u00edzszintesen vagy f\u00fcgg\u0151legesen, szimmetriavonalat hoz l\u00e9tre.<\/p>\n

A szimmetrikus kompoz\u00edci\u00f3val k\u00e9sz\u00fclt fot\u00f3 a k\u00f6z\u00f6ns\u00e9gnek a stabilit\u00e1s, a formalit\u00e1s \u00e9s az egyens\u00faly \u00e9rzet\u00e9t kelti.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

Szimmetria kompoz\u00edci\u00f3<\/p>\n<\/div>\n<\/div>\n

4.4 Keretez\u00e9s<\/strong><\/h1>\n

A keretez\u00e9st akkor haszn\u00e1lhatjuk, ha egy t\u00e9m\u00e1t olyan elem vesz k\u00f6r\u00fcl, amely kerethez hasonl\u00edt, vagy arra hasonl\u00edt.<\/p>\n

P\u00e9ld\u00e1ul egy ablakkeret, ajt\u00f3keret vagy egy alag\u00fat bej\u00e1rata.<\/p>\n

\n
\n
\"el\u0151re<\/div>\n

A keretez\u00e9s egy kicsit klasszikusabb kompoz\u00edci\u00f3s szab\u00e1ly.<\/p>\n<\/div>\n<\/div>\n

4.5 Konvergens vonalak \u00f6sszet\u00e9tele<\/strong><\/h1>\n

A konverg\u00e1l\u00f3 vonaltechnika azt jelenti, hogy egy k\u00e9pen t\u00f6bb sor egy ir\u00e1nyban halad.<\/p>\n

\u00c9s v\u00e9g\u00fcl konverg\u00e1lva egy adott poz\u00edci\u00f3hoz a f\u00e9nyk\u00e9pen.<\/p>\n

A konverg\u00e1l\u00f3 vonalak fot\u00f3z\u00e1sban val\u00f3 haszn\u00e1lata konverg\u00e1l\u00f3 vonalkompoz\u00edci\u00f3t ad a f\u00e9nyk\u00e9pnek.<\/p>\n

A konverg\u00e1l\u00f3 vonalak kompoz\u00edci\u00f3ja jelent\u0151s vizu\u00e1lis hat\u00e1st kelthet.<\/p>\n

Haszn\u00e1lhat\u00f3 m\u00e9lys\u00e9g l\u00e9trehoz\u00e1s\u00e1ra a fot\u00f3n, \u00e9s megadhatja a k\u00e9pet\u00a0h\u00e1romdimenzi\u00f3s vizu\u00e1lis effektusok<\/a>.<\/p>\n

\n
\n
\"el\u0151re<\/div>\n
<\/div>\n

Konvergens vonalak \u00f6sszet\u00e9tele<\/p>\n<\/div>\n<\/div>\n

4.6 \u00cdvelt vonalak \u00f6sszet\u00e9tele<\/strong><\/h1>\n

Nem kell t\u00f6k\u00e9letes \u00edves vonalnak lennie.<\/p>\n

Ez lehet egy hi\u00e1nyos g\u00f6rbe vonal, vagy egy kis radi\u00e1nnal rendelkez\u0151 g\u00f6rbe vonal.<\/p>\n

Am\u00edg van g\u00f6rbe, haszn\u00e1lhatjuk g\u00f6rbe vonalkompoz\u00edci\u00f3val.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

\u00cdvelt vonalak \u00f6sszet\u00e9tele<\/p>\n<\/div>\n<\/div>\n

A fenti kompoz\u00edci\u00f3s szab\u00e1lyok a leggyakrabban haszn\u00e1ltak.<\/p>\n

Szok\u00e1sos egyn\u00e9l t\u00f6bb kompoz\u00edci\u00f3s szab\u00e1lyt alkalmazni egy j\u00f3 f\u00e9nyk\u00e9p elk\u00e9sz\u00edt\u00e9sekor.<\/p>\n

4.7 A h\u00e1tt\u00e9r<\/strong><\/h1>\n

A fot\u00f3z\u00e1s sor\u00e1n a h\u00e1tt\u00e9rnek rendezettnek kell lennie, \u00e9s mentesnek kell lennie a t\u00e9m\u00e1hoz nem kapcsol\u00f3d\u00f3 elemekt\u0151l.<\/p>\n

A be\u00e1ll\u00edt\u00e1soknak pormentesnek kell lenni\u00fck.<\/p>\n

4.8 Nevezze el a fot\u00f3f\u00e1jlokat<\/strong><\/h1>\n

Ne felejtse el elnevezni a fot\u00f3f\u00e1jlokat az \u00e9p\u00edt\u00e9szeti modell nev\u00e9vel \u00e9s l\u00e9pt\u00e9k\u00e9vel.<\/p>\n

Ez megk\u00f6nny\u00edti a fot\u00f3k el\u00e9r\u00e9s\u00e9t a j\u00f6v\u0151ben.<\/p>\n

K\u00f6vetkeztet\u00e9s<\/strong><\/h1>\n

V\u00e9g\u00fcl b\u00e1rki elsaj\u00e1t\u00edthatja az \u00e9p\u00edt\u00e9szeti modellfot\u00f3z\u00e1st, \u00e9s a legmagasabb sz\u00ednvonalra emelheti f\u00e9nyk\u00e9pez\u00e9si k\u00e9szs\u00e9geinek min\u0151s\u00e9g\u00e9t.<\/p>\n

Ehhez szorgalmasnak kell lenni \u00e9s folyamatosan gyakorolni.<\/p>\n

Figyeljen, k\u00eds\u00e9rletezzen \u00e9s tapasztalja meg, milyen hat\u00e1sokat hozhat a vil\u00e1g\u00edt\u00e1s megv\u00e1ltoztat\u00e1sa.<\/p>\n

Csod\u00e1ljon \u00e9s tanuljon m\u00e1s mesterfot\u00f3sok munk\u00e1j\u00e1b\u00f3l \u00e9s \u00a03D \u00e9p\u00edt\u00e9szeti rendering<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Introduction of architectural model photography Architectural model photography has a significant role to play. Because a good photograph helps smooth the progress. And meanwhile, poorly taken photos can mislead the audience thus preventing them from seeing the real quality of the model. This chapter introduces the necessary equipment required in architectural model photography. It touches […]<\/p>\n","protected":false},"author":2,"featured_media":29733,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[8],"tags":[17],"class_list":["post-46695","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stories","tag-zaha-hadid"],"acf":[],"yoast_head":"\nArchitectural Model Photography<\/title>\n<meta name=\"description\" content=\"Anyone can master architectural model photography and raise the quality of their photography skills to the top standard.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rjmodels.com.hk\/hu\/epiteszeti-modellfotozas\/\" \/>\n<meta property=\"og:locale\" content=\"hu_HU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Architectural Model 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