{"id":978,"date":"2026-07-16T11:54:25","date_gmt":"2026-07-16T11:54:25","guid":{"rendered":"https:\/\/www.rjmodels.com.hk\/?p=978"},"modified":"2026-10-08T06:13:23","modified_gmt":"2026-10-08T06:13:23","slug":"pruvodce-architektonickymi-modely","status":"publish","type":"post","link":"https:\/\/www.rjmodels.com.hk\/cs\/pruvodce-architektonickymi-modely\/","title":{"rendered":"Architektonick\u00e9 modely: Nejlep\u0161\u00ed pr\u016fvodce"},"content":{"rendered":"
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<\/div>

Architektonick\u00e9 modely: Nejlep\u0161\u00ed pr\u016fvodce<\/h1>
\"Architektonick\u00e9<\/div>
<\/p>\n
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Architectural models turn design information into a physical form that architects, developers, clients and the public can understand from multiple viewpoints. Depending on the project stage, a model may be used to study massing and spatial relationships, communicate a design, support a competition or approval process, present a development for sales or exhibition, or explain complex site conditions.<\/p>\n

This guide focuses on the practical decisions behind professional architectural models: choosing the right model type and scale, deciding the appropriate level of detail, selecting materials, preparing design information for model making, and planning production, delivery and installation. Real project examples are used throughout to show how these decisions change according to purpose.<\/p>\n<\/div>\n

<\/div>\n <\/div>\n <\/div>\n <\/div>\n

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\"Co<\/a><\/div>\n
C 1. Co je to architektonick\u00fd model?<\/a><\/div>\n<\/div>\n<\/div>\n
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\"Funkce<\/a><\/div>\n
C 2. <\/a>Funkce architektonick\u00fdch model\u016f<\/a><\/div>\n<\/div>\n<\/div>\n
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\"Typy<\/a><\/div>\n
C 3. Typy model\u016f v m\u011b\u0159\u00edtku<\/a><\/div>\n<\/div>\n<\/div>\n
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\"Materi\u00e1ly<\/a><\/div>\n
C 4. Materi\u00e1ly model\u016f v m\u011b\u0159\u00edtku<\/a><\/div>\n<\/div>\n<\/div>\n
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\"Jak<\/a><\/div>\n
C 5. Jak zvolit m\u011b\u0159\u00edtko architektonick\u00fdch model\u016f<\/a><\/div>\n<\/div>\n<\/div>\n
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Kapitola 1:<\/div>

Co je to architektonick\u00fd model?<\/h2>
\"Co<\/div>
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C 1.1: Definice architektonick\u00fdch model\u016f<\/h2>\n

V\u0161ichni v\u00edme, \u017ee dovednosti architekt\u016f jsou kl\u00ed\u010dem k \u00fasp\u011bchu ka\u017ed\u00e9ho projektu p\u0159i v\u00fdrob\u011b model\u016f.<\/p>\n

Samotn\u00fd design ale nen\u00ed jedin\u00fdm z\u00e1sadn\u00edm aspektem. Komunikace b\u011bhem procesu projektov\u00e1n\u00ed je tak\u00e9 nezbytn\u00e1 pro projekt stavby.<\/p>\n

Architekti mus\u00ed zv\u00e1\u017eit, jak se n\u00e1vrh p\u0159enese z pl\u00e1nu do stavby.<\/p>\n

3D fyzick\u00e9 architektonick\u00e9 modely tak mohou b\u00fdt pou\u017eity k vyj\u00e1d\u0159en\u00ed n\u00e1vrh\u016f architekt\u016f.<\/p>\n

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The luxury architectural 3D model making project-Opus Hong Kong<\/p>\n<\/div>\n<\/div>\n

Architektonick\u00fd model je 3D fyzick\u00fd objekt, kter\u00fd zobrazuje zmen\u0161en\u00e9 verze st\u00e1vaj\u00edc\u00edch nebo historick\u00fdch budov.<\/p>\n

Je tak\u00e9 pova\u017eov\u00e1n za objekt kr\u00e1sy.<\/p>\n

C 1.2: Historie architektonick\u00fdch model\u016f<\/h2>\n

Architectural models have been used for thousands of years, although their purpose has changed considerably over time. Early fired-clay building models dating to around 4600 BC were often symbolic or funerary objects rather than design tools.<\/p>\n

Pottery building models also appeared in Han dynasty China. During the Renaissance, physical models became increasingly important for studying and presenting architectural proposals, particularly as buildings became more complex.<\/p>\n

By the twentieth century, architects were also using conceptual models to explore form, space and experimental design ideas.<\/p>\n

Today, physical models continue to support architectural design and communication, but digital design, laser cutting, CNC machining and 3D printing have significantly changed how professional models are developed and fabricated.<\/p>\n

C 1.3: Evoluce architektonick\u00fdch model\u016f<\/h2>\n

Architektonick\u00e9 modely jsou vynikaj\u00edc\u00edmi n\u00e1stroji pro zt\u011blesn\u011bn\u00ed n\u00e1vrh\u016f projekt\u016f.<\/p>\n

V\u00fdrobci model\u016f vol\u00ed materi\u00e1ly tak, aby p\u0159esn\u011b odpov\u00eddaly detail\u016fm fas\u00e1dy. Vytv\u00e1\u0159ej\u00ed vnit\u0159n\u00ed prostor tak, aby byl autentick\u00fd.<\/p>\n

N\u011bkte\u0159\u00ed tv\u016frci model\u016f vytv\u00e1\u0159ej\u00ed abstraktn\u00ed modely, aby p\u0159edvedli nepostaviteln\u00e9 n\u00e1vrhy pro vizion\u00e1\u0159sk\u00e9 n\u00e1vrhy.<\/p>\n

Tyto modely spl\u0148uj\u00ed vizu\u00e1ln\u00ed p\u0159\u00e1n\u00ed ve\u0159ejnosti, jako Kiesler\u016fv nekone\u010dn\u00fd d\u016fm.<\/p>\n

V sou\u010dasn\u00e9 dob\u011b spolu s po\u010d\u00edta\u010dov\u00fdm n\u00e1vrhem a softwarov\u00fdm in\u017een\u00fdrstv\u00edm pokro\u010dil\u00e9ho architektonick\u00e9ho modelu.<\/p>\n

Nap\u0159\u00edklad laserov\u00e9 \u0159ezac\u00ed stroje a 3D tisk mohou vyr\u00e1b\u011bt vysoce v\u011brn\u00e9 modely s bezkonkuren\u010dn\u00edmi detaily a p\u0159esnost\u00ed.<\/p>\n

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A vyr\u00e1b\u00edme architektonick\u00e9 modely s bezkonkuren\u010dn\u00edmi detaily a p\u0159esnost\u00ed.<\/p>\n<\/div>\n<\/div>\n

Architektonick\u00e9 modely slou\u017e\u00ed jako naka\u017eliv\u00fd a expresivn\u00ed um\u011bleck\u00fd jazyk.<\/p>\n

Prezenta\u010dn\u00ed modely vyu\u017eijete zejm\u00e9na v urbanismu a architektu\u0159e.<\/p>\n

Mezi n\u011b pat\u0159\u00ed domov\u016f<\/a>, letoviska<\/a>,\u00a0\u0161koln\u00ed model<\/a> a dal\u0161\u00ed ve\u0159ejn\u00e1 za\u0159\u00edzen\u00ed a budovy atd.<\/p>\n

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Prezenta\u010dn\u00ed model lze pou\u017e\u00edt v urbanismu.<\/p>\n<\/div>\n<\/div>\n

Aby se vyrovnaly s rychl\u00fdm rozvojem diverzifikace stavebn\u00edho pr\u016fmyslu, tyto modely ukazuj\u00ed klient\u016fm designov\u00e9 prvky.<\/p>\n

Nap\u0159\u00edklad konstrukce, okoln\u00ed prost\u0159ed\u00ed, osv\u011btlen\u00ed a ventilace uvnit\u0159 budovy.<\/p>\n

Jak vyrobit architektonick\u00fd model bez chyb se st\u00e1v\u00e1 nal\u00e9havou nutnost\u00ed.<\/p>\n

D\u00e1le po zv\u00e1\u017een\u00ed aktu\u00e1ln\u00edch glob\u00e1ln\u00edch environment\u00e1ln\u00edch probl\u00e9m\u016f a udr\u017eiteln\u00e9ho rozvoje.<\/p>\n

Je d\u016fle\u017eit\u00e9 rozv\u00edjet zelen\u00e9 technologie, v\u010detn\u011b zpracov\u00e1n\u00ed modelov\u00fdch materi\u00e1l\u016f a metod tvorby architektonick\u00fdch model\u016f.<\/p>\n

V\u00fdsledky a aplikace architektonick\u00fdch model\u016f se neust\u00e1le zlep\u0161uj\u00ed a inovuj\u00ed.<\/p>\n

To znamen\u00e1, \u017ee architektonick\u00e1 kreativita bude i nad\u00e1le vyu\u017e\u00edvat architektonick\u00e9 modely.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Kapitola 2:<\/div>

Funkce architektonick\u00fdch model\u016f<\/h2>
\"Funkce<\/div>
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Architectural models support different decisions at different stages of a project, from early design review to sales, public communication, investment discussions and planning.<\/p>\n

C 2.1: Komunikace a p\u0159ehled<\/h3>\n

Architectural models help design teams and clients understand massing, spatial relationships, building form and site context in three dimensions. They can also make design issues easier to identify before later project stages.<\/p>\n

C 2.2: Prodej a marketing<\/h3>\n

For real-estate developments, a physical model can help potential buyers and investors understand the building, unit locations, entrances, landscaping and surrounding environment before construction is complete.<\/p>\n

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Obytn\u00fd architektonick\u00fd model pro prodej a marketing<\/p>\n<\/div>\n<\/div>\n

C 2.3: Ve\u0159ejn\u00e9 zobrazen\u00ed a nav\u00e1d\u011bn\u00ed<\/h3>\n

Models can explain large or complex developments to visitors and the public, particularly when the relationship between buildings, landscape, circulation and surrounding areas is difficult to understand from drawings alone.<\/p>\n

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Model um\u00edst\u011bn\u00ed pro indikaci<\/p>\n<\/div>\n<\/div>\n

C 2.4: Fundraising<\/h3>\n

A physical model can support investor, stakeholder or donor presentations by making a proposed development easier to understand and discuss.<\/p>\n

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Model webu pro fundraising<\/p>\n<\/div>\n<\/div>\n

C 2.5: Schvalov\u00e1n\u00ed a povolen\u00ed stavebn\u00edch projekt\u016f<\/h3>\n

Where a physical model is requested or useful, it can help planning authorities and project stakeholders evaluate a proposal in relation to its site, neighbouring development and wider context.<\/p>\n

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Model hotelu Ritz Carton v Moskv\u011b<\/p>\n<\/div>\n<\/div>\n

C 2.6: Abstraktn\u00ed a budouc\u00ed architektonick\u00fd n\u00e1pad<\/h3>\n

Conceptual models allow architects and designers to explore forms, spatial ideas and proposals that are still evolving or may not yet be intended for immediate construction.<\/p>\n

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Abstraktn\u00ed Model<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Kapitola 3:<\/div>

Jak\u00e9 jsou 3 typy model\u016f architektonick\u00e9ho n\u00e1vrhu?<\/h2>
\"Jak\u00e9<\/div>
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Architektonick\u00fd model m\u016f\u017eeme klasifikovat podle funkce, technologie, materi\u00e1lu a \u010dasu.<\/div>\n
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Obecn\u011b lze dnes architektonick\u00e9 modely kategorizovat do typ\u016f podle jejich pou\u017eit\u00ed.<\/p>\n

C 3.1: Architektonick\u00e9 modely klasifikovan\u00e9 podle pou\u017eit\u00ed<\/h2>\n

C 3.1.1: Koncep\u010dn\u00ed model v m\u011b\u0159\u00edtku<\/h4>\n

Conceptual models are used during the early stages of design to explore massing, proportion, spatial relationships and the relationship between a proposed building and its site.<\/p>\n

They are usually simplified so that ideas can be tested and changed quickly rather than presented as finished architecture.<\/p>\n

Materials such as board, foam and other easily worked materials may be used when speed and flexibility are more important than fine detail.<\/p>\n

The value of a conceptual model is not realism. Its purpose is to help the design team compare ideas and understand the overall direction of a project.<\/p>\n

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P\u0159\u00edklad koncep\u010dn\u00edho modelu<\/p>\n<\/div>\n<\/div>\n

C 3.1.2: Modely v pracovn\u00edm m\u011b\u0159\u00edtku<\/h4>\n

Working models are used as a design develops. They allow architects and project teams to test particular relationships, forms, fa\u00e7ade treatments, components or construction ideas in greater detail than a conceptual model. Because they may be handled, modified or reviewed repeatedly, their materials and construction are often more durable than those used for quick early-stage studies.<\/p>\n

A working model does not need to look like a finished presentation model. Its value lies in helping the team investigate a design problem, compare alternatives and refine decisions before the final design is presented.<\/p>\n

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\"P\u0159\u00edklad<\/div>\n

P\u0159\u00edklad funguj\u00edc\u00edho modelu<\/p>\n<\/div>\n<\/div>\n

C 3.1.3: Prezenta\u010dn\u00ed modely<\/h4>\n

Presentation models communicate a developed architectural proposal to clients, decision-makers, buyers or the public. Compared with conceptual and working models, they normally place greater emphasis on finish, accuracy and the visual information needed for the intended presentation.<\/p>\n

Depending on the project, a presentation model may include detailed fa\u00e7ades, landscape, lighting, interior elements, roads, people, vehicles or interactive features. The appropriate level of detail should be determined by the model\u2019s scale, viewing distance and presentation purpose rather than by adding as much detail as possible.<\/p>\n

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P\u0159\u00edklad prezenta\u010dn\u00edho modelu, Ain Dubaj<\/a><\/p>\n

RJ Models\u2019 Ain Dubai model is one example of a presentation model used to communicate a major development through a physical three-dimensional representation.<\/p>\n<\/div>\n<\/div>\n

C 3.2: Architektonick\u00e9 modely klasifikovan\u00e9 podle funkc\u00ed<\/h2>\n

C 3.2.1: Model hlavn\u00edho pl\u00e1nu<\/a><\/h4>\n

Master plan models show how buildings, roads, landscape, infrastructure and development zones relate across a larger site. They are useful for urban planning, development presentations, public consultation and real-estate marketing, where the relationship between individual buildings and the wider environment is more important than fine fa\u00e7ade detail. RJ Models\u2019 Doha City Planning Model was produced at 1:1000, measuring 26,000 \u00d7 26,000 mm, to communicate the future development of Doha, including new landmarks and the relationships between different districts.<\/p>\n

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Model hlavn\u00edho pl\u00e1nu<\/p>\n

Some city and master plan models incorporate interactive features when the presentation requires them. These may include controlled lighting, touchscreens, projection or zone-based illumination. For example, RJ Models\u2019 Istanbul Urban Planning Model was designed to synchronize with a projector to help viewers understand the city\u2019s layout. Interactive features should therefore be selected according to the presentation purpose rather than treated as a standard requirement for every city model.<\/p>\n

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C 3.2.2: Model kancel\u00e1\u0159sk\u00e9 budovy<\/a><\/h4>\n

Office building models are used to communicate tower form, fa\u00e7ade design, building entrances, podiums and the relationship between commercial buildings and their surroundings. Depending on the presentation purpose, they may also include lighting, landscape and interior indications. RJ Models created the 1:100 Swiss Re Tower model for Foster + Partners, measuring 500 \u00d7 500 \u00d7 1500 mm. The model focused on the tower\u2019s distinctive curved form and complex multi-layered glass fa\u00e7ade.<\/p>\n

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Model kancel\u00e1\u0159sk\u00e9 budovy<\/p>\n<\/div>\n<\/div>\n

C 3.2.3: Model obytn\u00e9 budovy<\/a><\/h4>\n

Residential building models help developers, architects and buyers understand building form, apartment locations, entrances, amenities, landscaping and the overall living environment. They are commonly used for design presentations and real-estate marketing. RJ Models\u2019 1:100 Opus Hong Kong model, measuring 1200 \u00d7 1200 mm, reproduced Frank Gehry\u2019s distinctive residential tower design while using fa\u00e7ade materials and landscaping to communicate the architectural character of the project.<\/p>\n

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Model obytn\u00e9 budovy<\/p>\n<\/div>\n<\/div>\n

C 3.2.4: Model vily<\/a><\/h4>\n

Villa models are usually produced at relatively large scales so that viewers can understand both the exterior architecture and, when required, interior spaces. Removable roofs, lighting, furniture, swimming pools and landscaping can be added according to the presentation purpose. For a villa project in KSA, RJ Models produced a 1:25 model measuring 1200 \u00d7 1200 mm, including detailed interiors, lighting, a swimming pool and surrounding landscape to communicate the residential experience.<\/p>\n

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Model vily<\/p>\n<\/div>\n<\/div>\n

C 3.2.5: Model n\u00e1kupn\u00edho centra<\/a><\/h4>\n

Shopping mall models help explain entrances, circulation, retail zones, fa\u00e7ades, public spaces and the relationship between the mall and surrounding development. Lighting and selected interior elements can strengthen sales and investment presentations. RJ Models\u2019 1:150 Suzhou Center Shopping Mall Model measured 2000 \u00d7 800 \u00d7 800 mm and reproduced Benoy\u2019s distinctive undulating glass canopy, using 3D printing and integrated lighting to communicate the project\u2019s architectural identity.<\/p>\n

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Model n\u00e1kupn\u00edho centra<\/p>\n<\/div>\n<\/div>\n

C 3.2.6: Model hotelu<\/a><\/h4>\n

Hotel models can present the relationship between guest buildings, landscape, pools, recreational facilities and surrounding environments. The appropriate scale depends on whether the presentation focuses on the architecture, the resort master plan or detailed hospitality spaces. RJ Models produced the Madinat Jumeirah Hotel Model in Dubai at 1:400, measuring 2600 \u00d7 2600 mm, combining detailed resort buildings, landscaping and lighting to communicate the character of the development.<\/p>\n

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\"Model<\/a><\/div>\n

Model hotelu<\/p>\n<\/div>\n<\/div>\n

C 3.2.7: Model stadionu<\/a><\/h4>\n

Stadium models help communicate overall building form, roof structures, seating arrangements, entrances, surrounding facilities and the relationship between the venue and its site. Lighting and miniature spectators can also help demonstrate how the stadium operates during events. RJ Models produced the 1:500 RTA Stadium Model, measuring 2800 \u00d7 1500 mm, with separate interior and exterior lighting systems and approximately 3,000 miniature figures to create a realistic event environment.<\/p>\n

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\"Model<\/a><\/div>\n

Model stadionu<\/p>\n<\/div>\n<\/div>\n

C 3.2.8: Model z\u00e1bavn\u00edho parku<\/a><\/h4>\n

Theme park models combine architecture, landscape, attractions, circulation and storytelling within one physical display. Because visitors need to understand both the overall park layout and individual attractions, lighting, water features and moving or interactive elements may be incorporated where appropriate. RJ Models\u2019 Dubai Park model was produced at 1:400, measuring 4800 \u00d7 4800 mm, and represented more than 100 attractions together with running and flashing lighting effects.<\/p>\n

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\"Model<\/a><\/div>\n

Model z\u00e1bavn\u00edho parku<\/p>\n<\/div>\n<\/div>\n

C 3.2.9: Model muzea<\/a><\/h4>\n

Museum models can be used for architectural competitions, design review, exhibitions and public communication. Depending on the design, the model may focus on overall form, structural geometry, internal galleries or the relationship between the building and its site. RJ Models created the 1:300 Yinchuan Museum Model for WAA, measuring 1200 \u00d7 1100 mm. Its monochrome presentation emphasized the building\u2019s complex ribbon-like, double-curved architectural form rather than surrounding detail.<\/p>\n

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\"Model<\/a><\/div>\n

Model muzea<\/p>\n<\/div>\n<\/div>\n

C 3.2.10: Pr\u016fmyslov\u00fd model<\/a><\/h4>\n

Industrial models explain facilities, production areas, equipment, circulation and operational relationships that can be difficult to understand from drawings alone. They may be used for exhibitions, technical presentations, training or stakeholder communication. RJ Models produced the 1:120 Macallan New Distillery model in Scotland, measuring 2500 \u00d7 1400 mm, using advanced fabrication methods to reproduce the project\u2019s distinctive flowing, grass-covered roof and its relationship with the surrounding landscape.<\/p>\n

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\"Pr\u016fmyslov\u00fd<\/a><\/div>\n

Tov\u00e1rn\u00ed model<\/p>\n<\/div>\n<\/div>\n

C 3.2.11: Model lod\u011bnice<\/a><\/h4>\n

Shipyard models show how workshops, warehouses, docks, slipways, vessels and other production areas work together across a large industrial site. They can support public presentations, operational explanation and development communication. RJ Models produced the Baku Shipyard Model in Azerbaijan at 1:750, measuring 2700 \u00d7 1500 mm. The model was developed from project drawings and reference photographs and used to communicate the shipyard development in a public-display setting.<\/p>\n

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\"Model<\/a><\/div>\n

Model lod\u011bnice<\/p>\n<\/div>\n<\/div>\n

C 3.2.12: Model leti\u0161t\u011b<\/a><\/h4>\n

Airport models can focus on terminal architecture, passenger circulation, airport infrastructure or the relationship between an airport and the wider city. The required scale changes significantly depending on the information being presented. RJ Models created a 1:5000 model of Abu Dhabi International Airport\u2019s Midfield Terminal Complex for KPF, measuring 1600 \u00d7 1500 mm. At this scale, roads, traffic systems, airport-city development and landscape were prioritized while the terminal architecture was carefully simplified.<\/p>\n

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\"Model<\/a><\/div>\n

Model leti\u0161t\u011b<\/p>\n<\/div>\n<\/div>\n

C 3.2.13: Model interi\u00e9ru<\/a><\/h4>\n

Interior models allow viewers to understand room layouts, circulation, furniture, finishes and spatial relationships that may be difficult to judge from plans or renderings alone. Larger scales are normally used when interior details are important. RJ Models produced a 1:40 clubhouse interior model in Mumbai, measuring 2000 \u00d7 1600 \u00d7 800 mm. The model included detailed recreational spaces, lighting and a lift-up function that allowed viewers to inspect the interior arrangement of different floors.<\/p>\n

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\"Architektonick\u00fd<\/a><\/div>\n

Model interi\u00e9ru<\/p>\n<\/div>\n<\/div>\n

C 3.2.14: Model krajiny<\/a><\/h4>\n

Landscape models place greater emphasis on terrain, vegetation, water features, paths and outdoor spaces than on architectural detail. They can help designers and clients evaluate how buildings interact with the natural and designed environment. RJ Models produced a 1:100 residential landscape model in Dubai, measuring 2400 \u00d7 2200 mm, featuring waterfalls, infinity pools, artificial lakes, rockwork and extensive vegetation to communicate the project\u2019s tropical landscape concept.<\/p>\n

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\"Architektonick\u00fd<\/a><\/div>\n

Model krajiny<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Kapitola 4:<\/div>

Materi\u00e1ly pro architektonick\u00e9 modely<\/h2>
\"Materi\u00e1ly<\/div>
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C 4.1: How Professional Model Makers Choose Materials<\/h2>\n

Architectural models rarely rely on a single material. Material selection depends on the model\u2019s purpose, scale, required level of detail, surface finish, lighting, durability, handling and transportation requirements. Professional model makers therefore combine different materials according to the role each component must perform rather than selecting materials only by appearance.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n
Materi\u00e1l<\/th>\nCommon Use in Architectural Models<\/th>\nMain Advantage<\/th>\nMain Limitation \/ Consideration<\/th>\n<\/tr>\n<\/thead>\n
ABS<\/strong><\/td>\nBuilding bodies, fa\u00e7ades, walls and structural components<\/td>\nAccurate, stable and suitable for fabrication and finishing<\/td>\nRequires cutting, assembly and finishing appropriate to the required detail<\/td>\n<\/tr>\n
Acrylic \/ Plexiglas<\/strong><\/td>\nWindows, curtain walls, transparent or illuminated elements<\/td>\nExcellent for transparent and translucent effects<\/td>\nSurface finish and joint quality become very visible<\/td>\n<\/tr>\n
PVC<\/strong><\/td>\nBuilding masses, walls, industrial structures and model components<\/td>\nLightweight, workable and suitable for painted finishes<\/td>\nFine detail may require other materials or fabrication methods<\/td>\n<\/tr>\n
3D-Printed Resin \/ Polyamide<\/strong><\/td>\nComplex geometry, curved forms, small components and repeated details<\/td>\nCan reproduce forms difficult to fabricate manually<\/td>\nSurface finishing and print resolution must match the presentation standard<\/td>\n<\/tr>\n
Wood \/ MDF<\/strong><\/td>\nBases, solid masses, presentation components and selected finishes<\/td>\nStrong, stable and visually suitable for many display applications<\/td>\nWeight and finishing requirements must be considered<\/td>\n<\/tr>\n
Kov<\/strong><\/td>\nFrames, railings, trusses, columns and thin structural components<\/td>\nStrong and suitable for very fine structural elements<\/td>\nUsually requires more specialised fabrication and finishing<\/td>\n<\/tr>\n
Foam \/ Cardboard \/ Board<\/strong><\/td>\nConcept models and rapid design studies<\/td>\nFast to cut, inexpensive and easy to modify<\/td>\nLess suitable for durable, high-finish presentation models<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<\/div>\n<\/div>\n
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Kapitola 5:<\/div>

Jak zvolit m\u011b\u0159\u00edtko architektonick\u00fdch model\u016f<\/h2>
\"Jak<\/div>
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C 5.1: V\u00fdb\u011br m\u011b\u0159\u00edtka architektonick\u00e9ho modelu<\/h2>\n

Modely v m\u011b\u0159\u00edtku pozn\u00e1te jako nezbytnost pro architektonickou profesi.<\/p>\n

Existuje mnoho r\u016fzn\u00fdch m\u011b\u0159\u00edtek architektonick\u00fdch model\u016f.<\/p>\n

Obecn\u011b je fyzick\u00fd architektonick\u00fd model obvykle zmen\u0161en v m\u011b\u0159\u00edtku ve srovn\u00e1n\u00ed se skute\u010dnou velikost\u00ed budovy.<\/p>\n

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\"\"<\/a>M\u011b\u0159\u00edtko architektonick\u00fdch model\u016f v 1:80, City of Dream od Zaha Hadid<\/a><\/div>\n
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 <\/p>\n

Choosing the right architectural model scale is not simply a matter of making the model fit on a table. Scale determines the physical size of the model, the amount of detail that can be represented, how viewers experience it, and how easily the finished model can be transported and installed.<\/p>\n

The appropriate scale should therefore be selected according to the model\u2019s purpose, the real dimensions of the project, the required level of detail, viewing distance, display space, delivery route, budget and deadline. A larger scale can show more detail, while a smaller scale is usually more suitable for presenting large sites, master plans and urban relationships.<\/p>\n

How Architectural Model Scale Is Calculated<\/h3>\n

Model dimension = Real dimension \u00f7 Scale denominator<\/strong><\/p>\n

For example, a 100 m building would be represented at approximately 1 m at 1:100, 500 mm at 1:200 and 200 mm at 1:500.<\/p>\n

Note:<\/strong> 1:50 is a larger scale than 1:500. A larger scale uses a smaller denominator and allows more physical space for visible detail.<\/p>\n

How Scale Changes What the Model Can Show<\/h3>\n\n\n\n\n\n\n\n\n\n
Scale Range<\/th>\nTypical Purpose<\/th>\nInformation Priority<\/th>\n<\/tr>\n<\/thead>\n
1:10\u20131:50<\/td>\nInterior, fa\u00e7ade and detail models<\/td>\nMaterials, furniture, components and fine architectural detail<\/td>\n<\/tr>\n
1:50\u20131:200<\/td>\nBuilding presentation<\/td>\nFa\u00e7ades, openings, building form and landscape<\/td>\n<\/tr>\n
1:200\u20131:500<\/td>\nDevelopment and site models<\/td>\nBuilding relationships, roads, podiums and site context<\/td>\n<\/tr>\n
1:500\u20131:1000<\/td>\nMaster plans and large sites<\/td>\nMassing, infrastructure, landscape and development zones<\/td>\n<\/tr>\n
1:1000+<\/td>\nCity and regional models<\/td>\nUrban relationships, planning structure and major landmarks<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Scale, Model Size and Transport<\/h3>\n

Scale also affects how an architectural model can be packed, transported and installed, but the scale ratio alone does not determine the logistics. The finished model dimensions are often more important. Historical RJ Models commercial records include a 1:250 model approximately 2.8 \u00d7 5 m specified for air-freight delivery to Istanbul; a 1:300 model measuring 1750 \u00d7 730 \u00d7 680 mm with delivery by two model makers and installation in Dubai; and a 1:500 master plan model measuring 1600 \u00d7 1280 \u00d7 930 mm with two technicians together with flight and excess-baggage arrangements. These examples show why logistics should be reviewed before the final scale and model footprint are fixed.<\/p>\n

For large models, packing dimensions, modular construction, transport method and installation requirements should be reviewed before production begins.<\/p>\n

C 5.2: \u00da\u010delov\u011b \u0159\u00edzen\u00e9 \u0161k\u00e1lov\u00e1n\u00ed<\/h2>\n

Obecn\u011b m\u016f\u017eete vytv\u00e1\u0159et architektonick\u00e9 modely v z\u00e1vislosti na pot\u0159eb\u00e1ch reprezentace.<\/p>\n

Jin\u00fdmi slovy, celkov\u00fdm \u00fa\u010delem v\u00fdb\u011bru spr\u00e1vn\u00e9ho m\u011b\u0159\u00edtka je, aby model vypadal co nejp\u0159esv\u011bd\u010div\u011bji.<\/p>\n

Klienti by si m\u011bli ujasnit, ve kter\u00e9 f\u00e1zi projektu je t\u0159eba zastoupen\u00ed.<\/p>\n

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\"architektonick\u00e9<\/a><\/div>\n

Pro f\u00e1zi n\u00e1vrhu se doporu\u010duj\u00ed studijn\u00ed architektonick\u00e9 modely.<\/p>\n<\/div>\n<\/div>\n

Working models are useful during design development, while presentation models are more suitable for the final design stage.<\/p>\n

C 5.3: Zohledn\u011bn\u00ed podm\u00ednek a n\u00e1klad\u016f architektonick\u00e9ho modelu<\/h2>\n

C 5.3.1: Z\u00e1\u017eitek ze sledov\u00e1n\u00ed<\/h4>\n

Za prv\u00e9, um\u00edst\u011bn\u00ed, na kter\u00e9m budou architektonick\u00e9 modely prezentov\u00e1ny, je dal\u0161\u00ed d\u016fle\u017eitou v\u011bc\u00ed, kterou je t\u0159eba vz\u00edt v \u00favahu.<\/p>\n

Zajist\u011bte, aby modely m\u011bly v expozic\u00edch dostate\u010dn\u00fd prostor pro prohl\u00ed\u017een\u00ed, a z\u00e1rove\u0148 se vyhn\u011bte p\u0159\u00edli\u0161 \u0159\u00eddk\u00e9mu vystaven\u00ed.<\/p>\n

C 5.3.2: Doprava<\/h4>\n

V n\u011bkter\u00fdch p\u0159\u00edpadech mus\u00edte architektonick\u00e9 modely \u010dasto p\u0159esouvat z m\u00edsta na m\u00edsto.<\/p>\n

U model\u016f je pak zvl\u00e1\u0161t\u011b d\u016fle\u017eit\u00e9 m\u011b\u0159\u00edtko a hmotnost.<\/p>\n

\"architektonick\u00e9<\/a>Architektonick\u00e9 modely pro marketing by se m\u011bly dob\u0159e hodit do marketingov\u00e9ho bal\u00ed\u010dku.<\/p>\n

C 5.3.3: Rozpo\u010det a term\u00edn<\/h4>\n

Budget and deadlines are important when selecting a scale because highly detailed models generally require more production time and cost.<\/p>\n

C 5.4: V\u00fdb\u011br m\u011b\u0159\u00edtka a velikosti<\/h2>\n

M\u011b\u0159\u00edtko ur\u010duje \u00farove\u0148 detail\u016f, kter\u00e9 lze prezentovat.<\/p>\n

Architektonick\u00e9 modely velk\u00e9ho m\u011b\u0159\u00edtka maj\u00ed velmi viditelnou \u00farove\u0148 detail\u016f.<\/p>\n

\u010c\u00edm men\u0161\u00ed je \u010d\u00edslo indik\u00e1toru m\u011b\u0159\u00edtka, t\u00edm v\u011bt\u0161\u00ed je model, co\u017e znamen\u00e1, \u017ee m\u016f\u017eete ilustrovat v\u00edce detail\u016f.<\/p>\n

Krom\u011b toho je spousta kulisov\u00fdch prvk\u016f p\u0159edvyrobena pr\u016fmyslov\u00fdmi tov\u00e1rnami.<\/p>\n

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\"architektonick\u00e9<\/a><\/div>\n

Vyu\u017eit\u00ed p\u0159edp\u0159ipraven\u00fdch prvk\u016f scen\u00e9rie<\/p>\n<\/div>\n<\/div>\n

Proto byste m\u011bli zv\u00e1\u017eit, zda zvolen\u00e9 m\u011b\u0159\u00edtko bude odpov\u00eddat standardn\u00edm m\u011b\u0159\u00edtk\u016fm v model\u00e1\u0159sk\u00e9m pr\u016fmyslu.<\/p>\n

C 5.5: Common Architectural Model Scale Ranges<\/h2>\n

1:10\u20131:50 \u2014 Detail, Interior and Fa\u00e7ade Models<\/h3>\n

At these larger scales, individual architectural components can be represented with greater clarity. They are suitable when the viewer needs to understand fa\u00e7ade materials, windows, doors, furniture, interior finishes or construction details. The available level of detail still depends on the model\u2019s purpose and physical size rather than scale alone.<\/p>\n

Modely interi\u00e9r\u016f<\/h4>\n

Interior models are generally produced at larger scales when room layout, furniture, finishes and spatial relationships need to be clearly understood. Scales around 1:5 to 1:25 can provide enough physical space to represent detailed furniture, fixtures, materials and interior features, while smaller scales may be used when the primary purpose is to communicate the overall layout rather than individual finishes.<\/p>\n

The appropriate scale should depend on what the viewer needs to understand. A sales presentation may require realistic furniture and lighting, while a design-review model may focus more on circulation, room relationships and removable walls or roofs.<\/p>\n

For projects where the arrangement of an entire floor is more important than detailed finishes, layout models at approximately 1:50 to 1:100 can provide a clearer overview of room organisation and circulation.<\/p>\n

1:50\u20131:200 \u2014 Building, Section and Presentation Models<\/h3>\n

These scales are commonly suitable for individual buildings where architectural form, fa\u00e7ades, openings, landscape and selected interior elements need to remain visible. Section models can also use this range when the purpose is to explain internal spatial relationships, floor levels or structural organisation.<\/p>\n

1:200\u20131:500 \u2014 Development and Site Models<\/h3>\n

At these scales, the emphasis begins to shift from individual components to the relationship between buildings and their surroundings. Roads, podiums, landscape, neighbouring buildings and overall site organisation become increasingly important, while very small fa\u00e7ade details may need to be simplified.<\/p>\n

1:500\u20131:1000 \u2014 Master Plan and Large-Site Models<\/h3>\n

These scales are suitable when the model needs to communicate a large development, campus or master plan within a manageable physical footprint. Building massing, roads, infrastructure, landscape and development zones normally take priority over detailed architectural components.<\/p>\n

1:1000 and Smaller \u2014 City and Regional Models<\/h3>\n

For city-scale or very large planning models, the primary purpose is usually to show urban relationships rather than individual building details. Major landmarks, road networks, development areas, terrain and planning structure can remain identifiable, while smaller buildings may be simplified into massing forms.<\/p>\n

These ranges are practical starting points rather than fixed rules.<\/strong> The final scale should be selected only after considering the project dimensions, information to be communicated, display space, transport requirements, budget and programme.<\/p>\n

C 5.6: How to Make the Final Scale Decision<\/h2>\n

The right architectural model scale should be selected by working backward from what the model needs to communicate. Start with the project\u2019s real dimensions and presentation purpose, then determine the level of detail viewers need to see. From there, check whether the resulting model dimensions are practical for the available display space, packing, transportation and installation.<\/p>\n

A larger scale is not automatically better. If the model becomes too large for its purpose, the additional detail may create unnecessary production, transport and display constraints. Conversely, a scale that is too small may remove information that is essential to the presentation.<\/p>\n

The final decision is therefore a balance between purpose, detail, physical size, viewing experience, logistics, budget and deadline.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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