{"id":46695,"date":"2024-08-27T07:13:03","date_gmt":"2024-08-27T07:13:03","guid":{"rendered":"https:\/\/www.rjmodels.com.hk\/?p=46695"},"modified":"2024-08-29T03:46:02","modified_gmt":"2024-08-29T03:46:02","slug":"fotografie-architektonickych-modelu","status":"publish","type":"post","link":"https:\/\/www.rjmodels.com.hk\/cs\/fotografie-architektonickych-modelu\/","title":{"rendered":"Fotografie architektonick\u00fdch model\u016f \u2013 podrobn\u00fd pr\u016fvodce"},"content":{"rendered":"

P\u0159edstaven\u00ed fotografie architektonick\u00fdch model\u016f<\/strong><\/h1>\n

Fotografov\u00e1n\u00ed architektonick\u00fdch model\u016f hraje v\u00fdznamnou roli.<\/p>\n

Proto\u017ee dobr\u00e1 fotografie pom\u00e1h\u00e1 usnadnit postup.<\/p>\n

A mezit\u00edm mohou \u0161patn\u011b po\u0159\u00edzen\u00e9 fotografie uv\u00e9st div\u00e1ky v omyl a znemo\u017enit jim vid\u011bt skute\u010dnou kvalitu modelu.<\/p>\n

Tato kapitola p\u0159edstavuje nezbytn\u00e9 vybaven\u00ed po\u017eadovan\u00e9 p\u0159i fotografov\u00e1n\u00ed architektonick\u00fdch model\u016f.<\/p>\n

Dot\u00fdk\u00e1 se osv\u011btlen\u00ed, hledisek a oblast\u00ed, kter\u00e9 vy\u017eaduj\u00ed pozornost.<\/p>\n

N\u00ed\u017ee jsou uvedena za\u0159\u00edzen\u00ed \u010dasto pou\u017e\u00edvan\u00e1 p\u0159i fotografov\u00e1n\u00ed architektonick\u00fdch model\u016f.<\/p>\n

Digit\u00e1ln\u00ed zrcadlovka 1.1<\/strong><\/h1>\n

Pokud jste ve fotografov\u00e1n\u00ed za\u010d\u00e1te\u010dn\u00edk, doporu\u010dujeme pou\u017e\u00edvat pln\u011b automatick\u00fd re\u017eim \u201eA\u201c.<\/p>\n

To znamen\u00e1, \u017ee fotoapar\u00e1t za v\u00e1s automaticky nastav\u00ed clonu, rychlost z\u00e1v\u011brky a ISO.<\/p>\n

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\"p\u0159edem<\/div>\n

Digit\u00e1ln\u00ed zrcadlovka<\/p>\n<\/div>\n<\/div>\n

Proto\u017ee bod ost\u0159en\u00ed nastaven\u00fd s automatick\u00fdm ost\u0159en\u00edm nemus\u00ed b\u00fdt va\u0161\u00edm o\u010dek\u00e1van\u00fdm ohniskem.<\/p>\n

P\u0159i fotografov\u00e1n\u00ed sv\u00e9ho zmen\u0161en\u00e9ho modelu nam\u00e1\u010dkn\u011bte tla\u010d\u00edtko spou\u0161t\u011b do poloviny.<\/p>\n

Jakmile usly\u0161\u00edte \u201ep\u00edpnut\u00ed\u201c, po\u0159i\u010fte sn\u00edmek \u00fapln\u00fdm stisknut\u00edm tla\u010d\u00edtka spou\u0161t\u011b. To zajist\u00ed jasn\u00fd obraz.<\/p>\n

Pot\u00e9, pokud chcete d\u00e1le zlep\u0161it sv\u00e9 fotografick\u00e9 techniky, mus\u00edte porozum\u011bt fotoapar\u00e1tu.<\/p>\n

Nap\u0159\u00edklad vztah mezi clonou, rychlost\u00ed z\u00e1v\u011brky, ISO a t\u00edm, jak zm\u011bna jednoho z t\u011bchto prvk\u016f vy\u017eaduje zm\u011bnu ostatn\u00edch.<\/p>\n

Pot\u00e9 cvi\u010dte s r\u016fzn\u00fdmi \u010d\u00edseln\u00fdmi hodnotami, abyste dos\u00e1hli po\u017eadovan\u00fdch vizu\u00e1ln\u00edch efekt\u016f, kter\u00e9 chcete svou fotografi\u00ed vyj\u00e1d\u0159it.<\/p>\n

\u0160iroko\u00fahl\u00fd objektiv s pevn\u00fdm ohniskem 1.2 nebo objektiv se zoomem 18\u2013105 mm<\/strong><\/h1>\n

P\u0159i fotografov\u00e1n\u00ed digit\u00e1ln\u00ed zrcadlovkou je \u010dasto pot\u0159eba vym\u011bnit objektiv.<\/p>\n

A p\u0159i fotografov\u00e1n\u00ed architektonick\u00fdch model\u016f je nejb\u011b\u017en\u011bji pou\u017e\u00edvan\u00fdm objektivem \u0161iroko\u00fahl\u00fd objektiv, tak\u017ee v\u00e1m doporu\u010dujeme vybavit se jedn\u00edm.<\/p>\n

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\"p\u0159edem<\/div>\n

\u0160iroko\u00fahl\u00fd objektiv s pevn\u00fdm ohniskem nebo objektiv se zoomem 18-105 mm<\/p>\n<\/div>\n<\/div>\n

1.3 D\u00e1lkov\u00e1 spou\u0161\u0165<\/strong><\/h1>\n

D\u00e1lkov\u00e1 spou\u0161\u0165 m\u016f\u017ee pomoci ovl\u00e1dat spou\u0161\u0165 fotoapar\u00e1tu.<\/p>\n

Nemus\u00edte se tedy dot\u00fdkat uvol\u0148ovac\u00edho tla\u010d\u00edtka na fotoapar\u00e1tu.<\/p>\n

Ve skute\u010dnosti je p\u0159i fotografov\u00e1n\u00ed v interi\u00e9ru del\u0161\u00ed expozice velmi u\u017eite\u010dn\u00e1.<\/p>\n

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\"p\u0159edem<\/div>\n

D\u00e1lkov\u00e1 spou\u0161\u0165<\/p>\n<\/div>\n<\/div>\n

D\u00e1lkov\u00e1 spou\u0161\u0165 m\u016f\u017ee zastavit chv\u011bn\u00ed fotoapar\u00e1tu zp\u016fsoben\u00e9 stisknut\u00edm tla\u010d\u00edtka b\u011bhem dlouh\u00e9 expozice.<\/p>\n

Aby se zabr\u00e1nilo rozmazan\u00e9 fotografii.<\/p>\n

P\u0159i fotografov\u00e1n\u00ed v interi\u00e9ru doporu\u010dujeme pou\u017e\u00edt d\u00e1lkovou spou\u0161\u0165.<\/p>\n

1.4 Pam\u011b\u0165ov\u00e1 karta<\/strong><\/h1>\n

Na pam\u011b\u0165ovou kartu jsou ulo\u017eeny digit\u00e1ln\u00ed fotografie po\u0159\u00edzen\u00e9 digit\u00e1ln\u00ed zrcadlovkou.<\/p>\n

A nejb\u011b\u017en\u011bj\u0161\u00ed je SD karta a v digit\u00e1ln\u00edm fotoapar\u00e1tu CF (Compact Flash).<\/p>\n

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\"p\u0159edem<\/div>\n

Pam\u011b\u0165ov\u00e1 karta<\/p>\n<\/div>\n<\/div>\n

Pam\u011b\u0165ov\u00e9 karty se dod\u00e1vaj\u00ed v \u0159ad\u011b r\u016fzn\u00fdch \u00falo\u017en\u00fdch kapacit.<\/p>\n

Se zvy\u0161uj\u00edc\u00edm se rozli\u0161en\u00edm fotografie fotoapar\u00e1tu se zvy\u0161uje i objem dat.<\/p>\n

Vzhledem k tomu, \u017ee jeho cena neust\u00e1le kles\u00e1, doporu\u010dujeme jej po\u0159\u00eddit s \u00falo\u017enou kapacitou alespo\u0148 4 GB.<\/p>\n

1.5 \u010cte\u010dka pam\u011b\u0165ov\u00fdch karet<\/strong><\/h1>\n

Notebook je \u010dasto dod\u00e1v\u00e1n s vestav\u011bnou \u010dte\u010dkou pam\u011b\u0165ov\u00fdch karet (CF karty), zat\u00edmco stoln\u00ed po\u010d\u00edta\u010de nikoli.<\/p>\n

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\"p\u0159edem<\/div>\n

\u010cte\u010dka pam\u011b\u0165ov\u00fdch karet<\/p>\n<\/div>\n<\/div>\n

V takov\u00e9m p\u0159\u00edpad\u011b si m\u016f\u017eete zakoupit \u010dte\u010dku karet pro p\u0159ipojen\u00ed ke stoln\u00edmu po\u010d\u00edta\u010di.<\/p>\n

1.6 Stativ<\/strong><\/h1>\n

P\u0159i fotografov\u00e1n\u00ed v interi\u00e9ru m\u00e1 nep\u0159\u00edtomnost p\u0159irozen\u00e9ho sv\u011btla za n\u00e1sledek del\u0161\u00ed \u010dasy z\u00e1v\u011brky.<\/p>\n

Pokud je fotoapar\u00e1t dr\u017een ru\u010dn\u011b, m\u016f\u017ee se fotoapar\u00e1t chv\u011bt.<\/p>\n

Proto\u017ee je nepravd\u011bpodobn\u00e9, \u017ee by na\u0161e ruce mohly z\u016fstat v klidu a poskytnout n\u00e1m ostr\u00fd obraz.<\/p>\n

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\"p\u0159edem<\/div>\n

Stativ<\/p>\n<\/div>\n<\/div>\n

Stativ je proto nepostradateln\u00fdm n\u00e1strojem, kter\u00fd zabra\u0148uje ot\u0159es\u016fm fotoapar\u00e1tu p\u0159i dlouh\u00fdch expozic\u00edch, proto\u017ee udr\u017euje fotoapar\u00e1t v klidu.<\/p>\n

1.7 Pozad\u00ed<\/strong><\/h1>\n

Toto je obrazovka pou\u017e\u00edvan\u00e1 jako pozad\u00ed p\u0159i fotografov\u00e1n\u00ed.<\/p>\n

P\u0159i fotografov\u00e1n\u00ed architektonick\u00fdch model\u016f obvykle pou\u017e\u00edv\u00e1me \u010dern\u00e9, modr\u00e9 nebo \u0161ed\u00e9 pozad\u00ed.<\/p>\n

Pokud pou\u017eijete vhodnou obrazovku na pozad\u00ed nebo l\u00e1tku, odraz sv\u011btla se sn\u00ed\u017e\u00ed.<\/p>\n

Ve srovn\u00e1n\u00ed s pap\u00edrem, kde se mohou objevit \u0161vy, je obrazovka \u0161ir\u0161\u00ed a poskytuje hladk\u00e9 pozad\u00ed.<\/p>\n

1.8 Stojan na z\u00e1ti\u0161\u00ed<\/strong><\/h1>\n

Z\u00e1ti\u0161\u00ed stoj\u00ed platforma, na kterou lze um\u00edstit fotografovan\u00fd p\u0159edm\u011bt.<\/p>\n

1.9 Osv\u011btlovac\u00ed za\u0159\u00edzen\u00ed<\/strong><\/h1>\n

Je to nutnost p\u0159i fotografov\u00e1n\u00ed v interi\u00e9ru a na trhu je k dispozici \u0161irok\u00e1 \u0161k\u00e1la osv\u011btlovac\u00edch za\u0159\u00edzen\u00ed.<\/p>\n

M\u011bkk\u00e1 krabi\u010dka je vyrobena z \u010dern\u00e9 vn\u011bj\u0161\u00ed l\u00e1tky, kter\u00e1 zabra\u0148uje odrazu sv\u011btla zp\u011bt do m\u00edstnosti.<\/p>\n

Pr\u016fsvitn\u00e1 l\u00e1tka pro rozpt\u00fdlen\u00ed sv\u011btla, dr\u00e1t\u011bn\u00fd r\u00e1m a zdroj sv\u011btla.<\/p>\n

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\"p\u0159edem<\/div>\n

M\u011bkk\u00fd box rozptyluje sv\u011btlo a vytv\u00e1\u0159\u00ed m\u011bk\u010d\u00ed sv\u011btlo.<\/p>\n<\/div>\n<\/div>\n

Na v\u00fdb\u011br je mnoho dal\u0161\u00edch typ\u016f osv\u011btlovac\u00edch za\u0159\u00edzen\u00ed.<\/p>\n

A druh pou\u017eit\u00e9ho osv\u011btlovac\u00edho za\u0159\u00edzen\u00ed z\u00e1vis\u00ed na typu fotografie, kterou chcete po\u0159\u00eddit.<\/p>\n

1.10 Sv\u011bteln\u00fd reflektor<\/strong><\/h1>\n

Kdy\u017e sv\u011btlo dopadne na reflektor, odraz\u00ed se a p\u0159esm\u011bruje se na model, \u010d\u00edm\u017e se zdroj sv\u011btla d\u00e1le zm\u011bk\u010d\u00ed.<\/p>\n

Sv\u011bteln\u00fd reflektor m\u016f\u017eete nahradit polystyrenovou p\u011bnovou deskou nebo p\u011bnov\u00fdm pap\u00edrem.<\/p>\n

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\"p\u0159edem<\/div>\n

Sv\u011bteln\u00fd reflektor<\/p>\n<\/div>\n<\/div>\n

Pro prakti\u010dnost a pohodl\u00ed p\u0159i pou\u017e\u00edv\u00e1n\u00ed doporu\u010dujeme investovat do stojanu s reflektorem sv\u011btla.<\/p>\n

T\u00edmto zp\u016fsobem neomezujeme um\u00edst\u011bn\u00ed reflektoru.<\/p>\n

Pokud je k dr\u017een\u00ed reflektoru n\u00e1pov\u011bda, stojan na reflektor nen\u00ed nutn\u00fd.<\/p>\n

Pokud v\u0161ak pracujete na vlastn\u00ed p\u011bst, pak je odrazov\u00fd stojan nezbytn\u00fd.<\/p>\n

2. Osv\u011btlen\u00ed<\/strong><\/h1>\n

Nejjednodu\u0161\u0161\u00ed zp\u016fsob, jak vy\u0159e\u0161it probl\u00e9m s osv\u011btlen\u00edm p\u0159i fotografov\u00e1n\u00ed, je fotografovat venku.<\/p>\n

Proto\u017ee je zde dostatek p\u0159irozen\u00e9ho sv\u011btla.<\/p>\n

2.1 <\/strong>Na\u010dasov\u00e1n\u00ed\u00a0<\/strong><\/h1>\n

Brzy r\u00e1no nebo za soumraku slune\u010dn\u00e9ho dne bez mr\u00e1\u010dku je poloha slunce n\u00edzk\u00e1.<\/p>\n

Dosahuje tedy vysoce kontrastn\u00edho osv\u011btlen\u00ed, vykresluj\u00edc\u00edho dokonal\u00fd st\u00ednov\u00fd efekt na architektonick\u00e9m modelu.<\/p>\n

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Fotografov\u00e1n\u00ed modelky brzy r\u00e1no<\/p>\n<\/div>\n<\/div>\n

Pozici architektonick\u00e9ho modelu m\u016f\u017eete oto\u010dit.<\/p>\n

Nebo m\u016f\u017eete objektivem fotoapar\u00e1tu pozorovat a experimentovat s r\u016fzn\u00fdmi efekty st\u00edn\u016f na modelu.<\/p>\n

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Fotografov\u00e1n\u00ed modelu p\u0159i z\u00e1padu slunce<\/p>\n<\/div>\n<\/div>\n

\u010casto fot\u00edme n\u00e1\u0161 model na st\u0159e\u0161e a na konkr\u00e9tn\u00ed pozici.<\/p>\n

A v\u0161echny ostatn\u00ed nesouvisej\u00edc\u00ed objekty z fotky vy\u0159ad\u00edme a jako pozad\u00ed fotky pou\u017eijeme oblohu.<\/p>\n

2.2 Pozor na vysokou teplotu<\/strong><\/h1>\n

Vysok\u00e1 teplota m\u016f\u017ee po\u0161kodit model, proto se vyhn\u011bte fotografov\u00e1n\u00ed b\u011bhem spaluj\u00edc\u00edho dne nebo v poledne.<\/p>\n

2.3 Pozor na st\u00edny<\/strong><\/h1>\n

B\u011bhem focen\u00ed v interi\u00e9ru se vyvarujte, aby model vrhal v\u00edce ne\u017e dva st\u00edny.<\/p>\n

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\"p\u0159edem<\/div>\n

Vyh\u00fdbejte se modelu vrhaj\u00edc\u00edmu v\u00edce ne\u017e dva st\u00edny<\/p>\n<\/div>\n<\/div>\n

Sc\u00e9na vytvo\u0159en\u00e1 na fotografii bude div\u00e1k\u016fm p\u0159ipadat nep\u0159irozen\u00e1, pokud architektonick\u00fd model vrh\u00e1 p\u0159\u00edli\u0161 mnoho st\u00edn\u016f.<\/p>\n

3. Hlediska<\/strong><\/h1>\n

P\u0159i fotografov\u00e1n\u00ed architektonick\u00fdch model\u016f obvykle po\u0159\u00edd\u00edme n\u011bkolik fotografi\u00ed cel\u00e9ho modelu v\u010detn\u011b \u010deln\u00edho a zadn\u00edho pohledu a za denn\u00edho sv\u011btla nebo jako no\u010dn\u00ed sc\u00e9nu.<\/p>\n

Zbytek fotek jsou bu\u010f r\u016fzn\u00e9 \u010d\u00e1sti modelu nebo n\u011bjak\u00e9 drobn\u00e9 detaily.<\/p>\n

Architektonick\u00fd model m\u016f\u017eeme fotografovat z r\u016fzn\u00fdch \u00fahl\u016f v z\u00e1vislosti na my\u0161lenk\u00e1ch, kter\u00e9 chceme vyj\u00e1d\u0159it.<\/p>\n

3.1 <\/strong>St\u0159elba s nadhledem:.<\/strong><\/h1>\n
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Umo\u017e\u0148uje \u00fapln\u00fd pohled na model architektury<\/p>\n<\/div>\n<\/div>\n

Pohled na cel\u00fd model z pta\u010d\u00ed perspektivy umo\u017e\u0148uje div\u00e1kovi vid\u011bt a c\u00edtit celou strukturu architektonick\u00e9ho modelu.<\/p>\n

3.2 <\/strong>St\u0159elba z n\u00edzk\u00e9ho \u00fahlu pohledu.<\/strong><\/h1>\n
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Z pohledu \u010dlov\u011bka<\/p>\n<\/div>\n<\/div>\n

Kdy\u017e nat\u00e1\u010d\u00edte model interi\u00e9ru pomoc\u00ed n\u00edzk\u00e9ho \u00fahlu pohledu, d\u00e1v\u00e1 div\u00e1kovi vizu\u00e1ln\u00ed efekty, jako by st\u00e1l na zemi a d\u00edval se na budovu.<\/p>\n

3.3 <\/strong>Fotografov\u00e1n\u00ed s pohledem z \u00farovn\u011b o\u010d\u00ed<\/strong><\/h1>\n
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Poloha kamery je na stejn\u00e9 \u00farovni jako model<\/p>\n<\/div>\n<\/div>\n

M\u016f\u017eete po\u0159\u00eddit fotografii z pohledu z \u00farovn\u011b o\u010d\u00ed v \u00farovni o\u010d\u00ed osoby vzhledem k jej\u00ed v\u00fd\u0161ce.<\/p>\n

M\u016f\u017eete tedy simulovat vizu\u00e1ln\u00ed efekt n\u011b\u010d\u00edho pohledu v prostoru, ve kter\u00e9m stoj\u00ed.<\/p>\n

3.4 <\/strong>Odraz architektonick\u00e9ho modelu v m\u011b\u0159\u00edtku na vod\u011b<\/strong><\/h1>\n

Pokud m\u00e1 model vodn\u00ed hladinu, m\u016f\u017ee fotograf vyfotografovat odraz modelu na vod\u011b.<\/p>\n

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Odraz modelu na vod\u011b<\/p>\n<\/div>\n<\/div>\n

3.5 Uka\u017ete velikost modelu<\/strong><\/h1>\n

N\u011bkdy m\u016f\u017eeme nechat publikum, aby si uc\u00edtilo velikost modelu.<\/p>\n

K tomu um\u00edst\u00edme k modelu p\u0159edm\u011bt, jako je prav\u00edtko, nebo m\u00edstn\u00ed mince.<\/p>\n

M\u016f\u017ee uk\u00e1zat velikost modelu na fotografii.<\/p>\n

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Um\u00edst\u011bte na model objekt, aby se na fotografii zobrazila velikost modelu<\/p>\n<\/div>\n<\/div>\n

3.6 Osoba stoj\u00ed vedle architektonick\u00e9ho modelu<\/strong><\/h1>\n

Pokud architektonick\u00fd model v m\u011b\u0159\u00edtku<\/a> je rozm\u011brn\u00fd displej, po\u017e\u00e1d\u00e1me osobu, aby st\u00e1la vedle architektonick\u00e9ho modelu.<\/p>\n

Aby publikum mohlo zn\u00e1t skute\u010dnou velikost modelu vzhledem k osob\u011b vedle n\u011bj.<\/p>\n

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Osoba stoj\u00ed vedle architektonick\u00e9ho modelu<\/p>\n<\/div>\n<\/div>\n

4. Slo\u017een\u00ed<\/strong><\/h1>\n

Z\u00e1sadn\u00edm aspektem fotografie je tak\u00e9 kompozice fotografie.<\/p>\n

A existuje mnoho r\u016fzn\u00fdch pravidel slo\u017een\u00ed. Na n\u011bkter\u00e9 z nich se pod\u00edv\u00e1me n\u00ed\u017ee.<\/p>\n

4.1 Pravidla t\u0159etin<\/strong><\/h1>\n

B\u011bhem focen\u00ed rozd\u011bl\u00edte r\u00e1m fotoapar\u00e1tu na t\u0159etiny horizont\u00e1ln\u011b a vertik\u00e1ln\u011b.<\/p>\n

Pr\u016fse\u010d\u00edky se naz\u00fdvaj\u00ed body z\u00e1jmu.<\/p>\n

Kdy\u017e se pod\u00edv\u00e1me na fotografii, na\u0161e oko bude podv\u011bdom\u011b p\u0159itahov\u00e1no k t\u011bmto pr\u016fse\u010d\u00edk\u016fm.<\/p>\n

Objekty tedy v\u017edy umis\u0165ujeme na tyto pr\u016fse\u010d\u00edky nebo do jejich bl\u00edzkosti.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

Pravidla t\u0159etin<\/p>\n<\/div>\n<\/div>\n

Vzhledem k tomu, \u017ee r\u00e1m fotoapar\u00e1tu je rovnom\u011brn\u011b rozd\u011blen do 9 sekc\u00ed, pravidlo t\u0159etinov\u00e9 kompozice je tak\u00e9 zn\u00e1m\u00e9 jako \u201ekompozice tic tac toe\u201c.<\/p>\n

4.2 Pou\u017eit\u00ed diagon\u00e1ln\u00ed \u010d\u00e1ry jako techniky kompozice<\/strong><\/h1>\n

C\u00edlem je um\u00edstit objekt pod\u00e9l diagon\u00e1ln\u00ed linie r\u00e1mu fotoapar\u00e1tu.<\/p>\n

Tak, aby se na fotografii objevil diagon\u00e1ln\u011b.<\/p>\n

Tato technika diagon\u00e1ln\u00edch \u010dar vytv\u00e1\u0159\u00ed v\u011bt\u0161\u00ed hloubku fotografie a d\u00e1v\u00e1 obr\u00e1zku v\u00edce trojrozm\u011brn\u00fd efekt.<\/p>\n

Diagon\u00e1ln\u00ed \u010d\u00e1ra tak\u00e9 kresl\u00ed linii pohledu osoby k bodu z\u00e1jmu.<\/p>\n

M\u016f\u017ee to ud\u011blat fotografii dynami\u010dt\u011bj\u0161\u00ed a d\u00e1t j\u00ed v\u00edce \u017eivota, zat\u00edmco objekt bude v\u00fdrazn\u011bj\u0161\u00ed.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

Pou\u017eit\u00ed diagon\u00e1ln\u00ed \u010d\u00e1ry jako techniky kompozice<\/p>\n<\/div>\n<\/div>\n

4.3 Kompozice symetrie<\/strong><\/h1>\n

Pou\u017eit\u00ed pravidla symetrie spo\u010d\u00edv\u00e1 v pou\u017eit\u00ed p\u0159edm\u011btu a jeho okoln\u00edho prost\u0159ed\u00ed k vytvo\u0159en\u00ed obrazu, kde jedna strana obrazu je stejn\u00e1 jako druh\u00e1.<\/p>\n

A kdy\u017e je obr\u00e1zek rozd\u011blen na dva, vodorovn\u011b nebo svisle, vytvo\u0159\u00ed linii symetrie.<\/p>\n

Fotografie po\u0159\u00edzen\u00e1 pomoc\u00ed symetrick\u00e9 kompozice d\u00e1v\u00e1 publiku pocit stability, form\u00e1lnosti a rovnov\u00e1hy.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

Symetrie slo\u017een\u00ed<\/p>\n<\/div>\n<\/div>\n

4.4 R\u00e1mov\u00e1n\u00ed<\/strong><\/h1>\n

R\u00e1mov\u00e1n\u00ed m\u016f\u017eeme pou\u017e\u00edt, kdy\u017e je objekt obklopen prvkem, kter\u00fd je nebo se podob\u00e1 r\u00e1mu.<\/p>\n

Nap\u0159\u00edklad r\u00e1m okna, r\u00e1m dve\u0159\u00ed nebo vchod do tunelu.<\/p>\n

\n
\n
\"p\u0159edem<\/div>\n

R\u00e1mov\u00e1n\u00ed je trochu klasi\u010dt\u011bj\u0161\u00ed pravidlo kompozice.<\/p>\n<\/div>\n<\/div>\n

4.5 Kompozice sb\u00edhaj\u00edc\u00edch se \u010dar<\/strong><\/h1>\n

Technika konverguj\u00edc\u00edch \u010dar znamen\u00e1, \u017ee v\u00edce \u010dar na obr\u00e1zku prob\u00edh\u00e1 jedn\u00edm sm\u011brem.<\/p>\n

A nakonec konvergov\u00e1n\u00ed na konkr\u00e9tn\u00ed pozici na fotografii.<\/p>\n

Pou\u017eit\u00ed sb\u00edhaj\u00edc\u00edch se \u010dar ve fotografii d\u00e1v\u00e1 fotografii kompozici sb\u00edhav\u00fdch \u010dar.<\/p>\n

Kompozice sb\u00edhaj\u00edc\u00edch se lini\u00ed m\u016f\u017ee vytvo\u0159it podstatn\u00fd vizu\u00e1ln\u00ed dopad.<\/p>\n

A m\u016f\u017ee b\u00fdt pou\u017eit k vytvo\u0159en\u00ed hloubky na fotografii a m\u016f\u017ee d\u00e1t obr\u00e1zek\u00a0trojrozm\u011brn\u00e9 vizu\u00e1ln\u00ed efekty<\/a>.<\/p>\n

\n
\n
\"p\u0159edem<\/div>\n
<\/div>\n

Kompozice konverguj\u00edc\u00edch \u010dar<\/p>\n<\/div>\n<\/div>\n

4.6 Slo\u017een\u00ed zak\u0159iven\u00fdch \u010dar<\/strong><\/h1>\n

Nemus\u00ed to b\u00fdt dokonal\u00e1 k\u0159ivka.<\/p>\n

M\u016f\u017ee to b\u00fdt ne\u00fapln\u00e1 zak\u0159iven\u00e1 \u010d\u00e1ra nebo zak\u0159iven\u00e1 \u010d\u00e1ra s mal\u00fdm radi\u00e1nem.<\/p>\n

Dokud existuje k\u0159ivka, m\u016f\u017eeme ji pou\u017e\u00edt s kompozic\u00ed zak\u0159iven\u00fdch \u010dar.<\/p>\n

\n
\n
<\/div>\n
\"\"<\/a><\/div>\n

Zak\u0159iven\u00e9 \u010d\u00e1ry slo\u017een\u00ed<\/p>\n<\/div>\n<\/div>\n

V\u00fd\u0161e uveden\u00e1 pravidla slo\u017een\u00ed jsou nej\u010dast\u011bji pou\u017e\u00edvan\u00e1.<\/p>\n

Je tak\u00e9 zcela obvykl\u00e9 pou\u017e\u00edvat p\u0159i po\u0159izov\u00e1n\u00ed dobr\u00e9 fotografie v\u00edce ne\u017e jedno kompozi\u010dn\u00ed pravidlo.<\/p>\n

4.7 Pozad\u00ed<\/strong><\/h1>\n

B\u011bhem focen\u00ed by pozad\u00ed m\u011blo b\u00fdt \u010dist\u00e9 a bez prvk\u016f, kter\u00e9 nejsou pro objekt relevantn\u00ed.<\/p>\n

Nastaven\u00ed by tak\u00e9 m\u011blo b\u00fdt bez prachu.<\/p>\n

4.8 Pojmenujte soubory fotografi\u00ed<\/strong><\/h1>\n

Nezapome\u0148te pojmenovat soubory fotografi\u00ed pomoc\u00ed n\u00e1zvu architektonick\u00e9ho modelu a jeho m\u011b\u0159\u00edtka.<\/p>\n

Usnadn\u00edte tak p\u0159\u00edstup k fotografi\u00edm v budoucnu.<\/p>\n

Z\u00e1v\u011br<\/strong><\/h1>\n

A kone\u010dn\u011b, ka\u017ed\u00fd m\u016f\u017ee zvl\u00e1dnout fotografov\u00e1n\u00ed architektonick\u00fdch model\u016f a zv\u00fd\u0161it kvalitu sv\u00fdch fotografick\u00fdch dovednost\u00ed na nejvy\u0161\u0161\u00ed standard.<\/p>\n

K tomu je t\u0159eba b\u00fdt piln\u00fd a neust\u00e1le cvi\u010dit.<\/p>\n

V\u011bnujte pozornost, experimentujte a za\u017eijte efekty, kter\u00e9 m\u016f\u017ee zm\u011bna osv\u011btlen\u00ed p\u0159in\u00e9st.<\/p>\n

Neust\u00e1le obdivujte a u\u010dte se z pr\u00e1ce jin\u00fdch mistr\u016f fotograf\u016f a \u00a03D architektonick\u00e9 vykreslov\u00e1n\u00ed<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Introduction of architectural model photography Architectural model photography has a significant role to play. Because a good photograph helps smooth the progress. And meanwhile, poorly taken photos can mislead the audience thus preventing them from seeing the real quality of the model. This chapter introduces the necessary equipment required in architectural model photography. It touches […]<\/p>\n","protected":false},"author":2,"featured_media":29733,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[8],"tags":[17],"class_list":["post-46695","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stories","tag-zaha-hadid"],"acf":[],"yoast_head":"\nArchitectural Model Photography<\/title>\n<meta name=\"description\" content=\"Anyone can master architectural model photography and raise the quality of their photography skills to the top standard.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.rjmodels.com.hk\/cs\/fotografie-architektonickych-modelu\/\" \/>\n<meta property=\"og:locale\" content=\"cs_CZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Architectural 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